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CITY LIGHTS
Bedfordtowers
Price: £100
"Shopkeeper." 2025
Bedfordtowers is a photographer originally from Scranton Pennsylvania currently living in New York City.
"Shopkeeper." 2025
Bedfordtowers is a photographer originally from Scranton Pennsylvania currently living in New York City.
Basil Schubert
Price: £800
"Something like Happiness." 2025
"Something like Happiness." 2025
Basil Schubert
Price: £800
"Walk Home." 2024
Born in Basel and raised in Neuchâtel, Basil has done the scenic tour of Switzerland. Later, he moved to Zurich to study photography, because what better place to learn about light than a city where it’s mostly cloudy?
Eventually, Basil found his way back to Basel, where he has been living and working ever since. Alongside jobs in various fields (some more random than others), photography has always stayed with him. Still in Basel, still shooting, still looking for that perfect shot - and maybe his missing lens cap.
His work has been shown at the Glasgow Gallery of Photography (Still Life, 2024; Architecture, 2025), at the VAO Finalists Exhibition in London (2025), and in a solo exhibition in Basel (Modern Longevity, 2025). In 2025, he was shortlisted for the Errazuriz Wine Photographer of the Year, nominated for the Fine Art Photography Award, and was a Visual Art Open finalist.
He uses his camera to share how he sees the world: the everyday, the unexpected, and, if he is lucky, even the invisible. A recurring theme in his photography is the passing of time - how we and our surroundings experience it and what is left behind.
"Walk Home." 2024
Born in Basel and raised in Neuchâtel, Basil has done the scenic tour of Switzerland. Later, he moved to Zurich to study photography, because what better place to learn about light than a city where it’s mostly cloudy?
Eventually, Basil found his way back to Basel, where he has been living and working ever since. Alongside jobs in various fields (some more random than others), photography has always stayed with him. Still in Basel, still shooting, still looking for that perfect shot - and maybe his missing lens cap.
His work has been shown at the Glasgow Gallery of Photography (Still Life, 2024; Architecture, 2025), at the VAO Finalists Exhibition in London (2025), and in a solo exhibition in Basel (Modern Longevity, 2025). In 2025, he was shortlisted for the Errazuriz Wine Photographer of the Year, nominated for the Fine Art Photography Award, and was a Visual Art Open finalist.
He uses his camera to share how he sees the world: the everyday, the unexpected, and, if he is lucky, even the invisible. A recurring theme in his photography is the passing of time - how we and our surroundings experience it and what is left behind.
Dai Pan
Price: £150
"Night Product, Manhattan." 2025
A New York-trained Fine Arts graduate and former finance professional currently pursuing Information Engineering. A resident of Shanghai, New York, and Brisbane, the author views photography and writing as a practical extension of daily life. As a grounded recorder, he finds artistic practice within the shifts of location and career.
"As a New York-trained Fine Arts graduate currently pursuing Information Engineering, my practice functions as a "grounded recorder" of urban and emotional shifts. These three works, captured across Pittsburgh, Harrisburg, and Manhattan, approach the sky as a structural element within the built environment. My work explores the tension created when the familiar atmosphere is restricted by urban geometry. By recording these mediated glimpses, I aim to show the sky as a constant, industrial backdrop that remains steady amidst the shifts in my own location and career. These works are part of an ongoing effort to observe the sky as a functional layer of moving data, our present and past."
"Night Product, Manhattan." 2025
A New York-trained Fine Arts graduate and former finance professional currently pursuing Information Engineering. A resident of Shanghai, New York, and Brisbane, the author views photography and writing as a practical extension of daily life. As a grounded recorder, he finds artistic practice within the shifts of location and career.
"As a New York-trained Fine Arts graduate currently pursuing Information Engineering, my practice functions as a "grounded recorder" of urban and emotional shifts. These three works, captured across Pittsburgh, Harrisburg, and Manhattan, approach the sky as a structural element within the built environment. My work explores the tension created when the familiar atmosphere is restricted by urban geometry. By recording these mediated glimpses, I aim to show the sky as a constant, industrial backdrop that remains steady amidst the shifts in my own location and career. These works are part of an ongoing effort to observe the sky as a functional layer of moving data, our present and past."
Shufna Collective
Price: Upon request.
"Above The Clouds." 2022
Shufna is a visual arts collective that combines the individual styles and varying viewpoints of Alia (Qatar), George (Jordan), and Elyssa (Lebanon). Our collective allows us to explore the rich world of creative imagery, photography, collages, video art, and many other art forms to express ourselves.
We founded Shufna Collective at the end of 2020 as an ode to our love for visual arts. Shufna means we saw; we see it as the act of collectively observing with one’s own eye, giving way to a creative collaborative perspective. Throughout multiple exhibitions across the Middle East and virtual exhibitions, we were able to explore several themes that have become core to the Shufna identity. Our latest solo exhibition, "When Cities Dream," held in Qatar (2025), delved into the dilemma between the slow-growing natural and the fast-paced industry.
"Above The Clouds." 2022
Shufna is a visual arts collective that combines the individual styles and varying viewpoints of Alia (Qatar), George (Jordan), and Elyssa (Lebanon). Our collective allows us to explore the rich world of creative imagery, photography, collages, video art, and many other art forms to express ourselves.
We founded Shufna Collective at the end of 2020 as an ode to our love for visual arts. Shufna means we saw; we see it as the act of collectively observing with one’s own eye, giving way to a creative collaborative perspective. Throughout multiple exhibitions across the Middle East and virtual exhibitions, we were able to explore several themes that have become core to the Shufna identity. Our latest solo exhibition, "When Cities Dream," held in Qatar (2025), delved into the dilemma between the slow-growing natural and the fast-paced industry.
Anna Cherkesova
Price: £300
"Megalith house on the Neva river." 2025
"Life, as we know it, is a moment between the past and the future. Each person determines the length of this moment for themselves. Where one person finds it important to capture moments throughout the day, another needs only a thousandth of a second to grasp life - that very instant through which one can feel its flow and relentless drive forward into the future. I feel a strong need for photography that does not freeze a brief moment but gathers within it emotions, the flow of time, and the changing space. I capture the life around me with long exposures, while becoming part of the frame myself, imparting my impulses to the image. Acknowledging that everyone views a photograph through the prism of personal perception, shaped over a lifetime, I free my creativity from authorial pride. I do not seek to be fully understood in my expression, nor do I impose my vision. What is much more important to me is that the viewer, when becoming acquainted with my work, determines for themselves what they feel and what emotions the image evokes in them. I believe that in this way, the space between people becomes filled with freedom of thought. After all, a person becomes truly free when they recognize another’s right to dissent. I gladly invite viewers into my world of emotional photography and wish us a pleasant acquaintance."
"Megalith house on the Neva river." 2025
"Life, as we know it, is a moment between the past and the future. Each person determines the length of this moment for themselves. Where one person finds it important to capture moments throughout the day, another needs only a thousandth of a second to grasp life - that very instant through which one can feel its flow and relentless drive forward into the future. I feel a strong need for photography that does not freeze a brief moment but gathers within it emotions, the flow of time, and the changing space. I capture the life around me with long exposures, while becoming part of the frame myself, imparting my impulses to the image. Acknowledging that everyone views a photograph through the prism of personal perception, shaped over a lifetime, I free my creativity from authorial pride. I do not seek to be fully understood in my expression, nor do I impose my vision. What is much more important to me is that the viewer, when becoming acquainted with my work, determines for themselves what they feel and what emotions the image evokes in them. I believe that in this way, the space between people becomes filled with freedom of thought. After all, a person becomes truly free when they recognize another’s right to dissent. I gladly invite viewers into my world of emotional photography and wish us a pleasant acquaintance."
Timothy Yufit
Price: £200
"Not a Number." 2025
"Not a Number." 2025
Timothy Yufit
Price: £200
"In Place 1." 2025
Timothy Yufit is a media designer and visual artist based in London, UK, and a graduate of the London College of Communication, UAL.
Curiosity about the outside world and its systems is the driving force of his creative practice. Timothy explores their functionalities, processes, constant shifts, and iterations, and the ways they connect to one another.
Through a mix of digital, AI-driven, and analogue methods, he crafts audio-visual narratives that channel emotion, memory, and interaction, aiming to evoke new emotional and sensory experiences for the audience.
In Place and Not a Number explore obsolete urban objects that persist in the city as material remnants. Both projects transform documentary images into re-contextualised visual formats.
In Place is a series of stamp-format images made from photographing displaced eighteenth-
and nineteenth-century headstones in London gardens (former graveyards). No longer functioning as memorials, these stones act as historical fragments embedded in everyday space.
Not a Number is a code-based moving-image work that examines London’s red phone booths in
their current state - disconnected, neglected, and functioning as surfaces that collect traces of the city. Though no longer used for communication, they remain expressive objects layered with stickers, graffiti, residue, and unintended marks. Using motion detection and colour filtering, the film isolates the booths from their surroundings and reveals them as material presences that continue to register human activity long after their function has disappeared. Through this digital processing, the work reframes the booths as living records of urban behaviour, passage, and decay.
Together, these works examine how the city absorbs objects after their purpose fades, and how photographic documentation can expose these subtle forms of urban afterlife.
"In Place 1." 2025
Timothy Yufit is a media designer and visual artist based in London, UK, and a graduate of the London College of Communication, UAL.
Curiosity about the outside world and its systems is the driving force of his creative practice. Timothy explores their functionalities, processes, constant shifts, and iterations, and the ways they connect to one another.
Through a mix of digital, AI-driven, and analogue methods, he crafts audio-visual narratives that channel emotion, memory, and interaction, aiming to evoke new emotional and sensory experiences for the audience.
In Place and Not a Number explore obsolete urban objects that persist in the city as material remnants. Both projects transform documentary images into re-contextualised visual formats.
In Place is a series of stamp-format images made from photographing displaced eighteenth-
and nineteenth-century headstones in London gardens (former graveyards). No longer functioning as memorials, these stones act as historical fragments embedded in everyday space.
Not a Number is a code-based moving-image work that examines London’s red phone booths in
their current state - disconnected, neglected, and functioning as surfaces that collect traces of the city. Though no longer used for communication, they remain expressive objects layered with stickers, graffiti, residue, and unintended marks. Using motion detection and colour filtering, the film isolates the booths from their surroundings and reveals them as material presences that continue to register human activity long after their function has disappeared. Through this digital processing, the work reframes the booths as living records of urban behaviour, passage, and decay.
Together, these works examine how the city absorbs objects after their purpose fades, and how photographic documentation can expose these subtle forms of urban afterlife.
Timothy Yufit
Price: £200
"In Place 2." 2025
"In Place 2." 2025
Nathan Leigh Taylor
Price: Not for sale.
"Westerleigh Rd." 2026
Nathan Leigh Taylor is a UK-based photographer and writer, developing his practice in portraiture and environment. His work experiments with atmosphere, memory, and perception, often shifting between people and place. As a writer, he is developing his critical engagement with contemporary photobooks, documentary projects, and emerging ideas in photography.
"Westerleigh Rd. explores the psychological shift that occurs when familiar urban spaces are altered by night and atmosphere. Taken in dense fog on the outskirts of Yate, the image explores a moment when routine geography became unstable. The streetlights appear otherworldly, the landscape is obscured, and everyday infrastructure is rendered unfamiliar by artificial light. The illuminated bus shelter appears as both anchor and anomaly; artificial light not only reveals the space but reshapes it, isolating fragments of the scene while allowing others to dissolve. In this image, the city after dark exists in a state of liminal tension: seemingly uninhabited yet subtly disrupted by the headlights at the edge of the frame. There is the suggestion of life, fleeting and peripheral."
"Westerleigh Rd." 2026
Nathan Leigh Taylor is a UK-based photographer and writer, developing his practice in portraiture and environment. His work experiments with atmosphere, memory, and perception, often shifting between people and place. As a writer, he is developing his critical engagement with contemporary photobooks, documentary projects, and emerging ideas in photography.
"Westerleigh Rd. explores the psychological shift that occurs when familiar urban spaces are altered by night and atmosphere. Taken in dense fog on the outskirts of Yate, the image explores a moment when routine geography became unstable. The streetlights appear otherworldly, the landscape is obscured, and everyday infrastructure is rendered unfamiliar by artificial light. The illuminated bus shelter appears as both anchor and anomaly; artificial light not only reveals the space but reshapes it, isolating fragments of the scene while allowing others to dissolve. In this image, the city after dark exists in a state of liminal tension: seemingly uninhabited yet subtly disrupted by the headlights at the edge of the frame. There is the suggestion of life, fleeting and peripheral."
KH Yeh
Price: Upon request.
"Light Trail." 2023
"I am an engineer living in Taipei. In my free time, I use Polaroid cameras to capture daily life, city streets, and the changing light and shadows. I try to find poetic moments in my surroundings. In this fast-paced digital world, I choose Polaroid film because each photo is unique and cannot be reproduced. While my job is all about logic and precision, photography is my way to connect with the world through feelings and emotions. I enjoy the uncertainty and imperfection of the process, which often lead to unexpectedly beautiful results."
"Light Trail." 2023
"I am an engineer living in Taipei. In my free time, I use Polaroid cameras to capture daily life, city streets, and the changing light and shadows. I try to find poetic moments in my surroundings. In this fast-paced digital world, I choose Polaroid film because each photo is unique and cannot be reproduced. While my job is all about logic and precision, photography is my way to connect with the world through feelings and emotions. I enjoy the uncertainty and imperfection of the process, which often lead to unexpectedly beautiful results."
Carol Schiraldi
Price: £500
"Forest of Light." 2025
Carol Schiraldi is an American fine art photographer based in the Texas Hill Country. Her work explores light and colour as primary elements, often moving between representation and abstraction to create images that emphasize atmosphere, rhythm, and perceptual presence. Through long-term, contemplative projects, she uses photography to investigate how colour shapes space, memory, and emotional response. Schiraldi has exhibited internationally and is widely published.
"In Lightscapes, I explore colour and light as primary subjects, shifting attention away from representation and toward perception. Through abstract gesture and movement, the work examines how colour occupies space, shapes rhythm, and carries emotional presence over time. The images invite a slower form of looking, where colour is experienced as material rather than description."
"Forest of Light." 2025
Carol Schiraldi is an American fine art photographer based in the Texas Hill Country. Her work explores light and colour as primary elements, often moving between representation and abstraction to create images that emphasize atmosphere, rhythm, and perceptual presence. Through long-term, contemplative projects, she uses photography to investigate how colour shapes space, memory, and emotional response. Schiraldi has exhibited internationally and is widely published.
"In Lightscapes, I explore colour and light as primary subjects, shifting attention away from representation and toward perception. Through abstract gesture and movement, the work examines how colour occupies space, shapes rhythm, and carries emotional presence over time. The images invite a slower form of looking, where colour is experienced as material rather than description."
Mari Yokoichi
Price: Upon request.
"Evening Tower." 2017
Mari Yokoichi is a photographer and abstract artist based in Stockholm, Sweden. Her work has been presented in a solo exhibition at Galleri Sandelin and at Planket, one of Sweden’s most established outdoor photography exhibitions. Her project Waiting waiting, passing by has been published, and her work has also appeared in Docu Magazine. She studied photography for Ann Eringstam, a renowned swedish photographer.
"My photographic practice is rooted in close observation and an interest in the quiet structures that shape everyday life. I am drawn to transitional and often overlooked environments - streets, passageways, architectural fragments; where light, surface, and geometry interact subtly. These spaces, though seemingly ordinary, carry a quiet tension between presence and absence, movement and pause. Through photography, I seek to slow down perception and create room for reflection. My work invites viewers to engage with familiar environments in a new way; to notice what is usually passed by, and to find meaning and beauty within moments that might otherwise remain unseen."
"Evening Tower." 2017
Mari Yokoichi is a photographer and abstract artist based in Stockholm, Sweden. Her work has been presented in a solo exhibition at Galleri Sandelin and at Planket, one of Sweden’s most established outdoor photography exhibitions. Her project Waiting waiting, passing by has been published, and her work has also appeared in Docu Magazine. She studied photography for Ann Eringstam, a renowned swedish photographer.
"My photographic practice is rooted in close observation and an interest in the quiet structures that shape everyday life. I am drawn to transitional and often overlooked environments - streets, passageways, architectural fragments; where light, surface, and geometry interact subtly. These spaces, though seemingly ordinary, carry a quiet tension between presence and absence, movement and pause. Through photography, I seek to slow down perception and create room for reflection. My work invites viewers to engage with familiar environments in a new way; to notice what is usually passed by, and to find meaning and beauty within moments that might otherwise remain unseen."
Edward Olive
Price: £1000
"Young lady and cars at night." 2020
Edward Olive is an English photographer and actor based in Madrid, Spain. Known for his distinctive fine art approach, Olive specialises in compelling people photography, blending commercial needs with classical artistic sensibilities. His work is characterised by a dramatic use of chiaroscuro (strong contrast between light and shadow), drawing inspiration from painting and cinema.
He focuses on portraiture with actors, models, and artists, as well as capturing authentic human interaction in various settings. Olive's own background in performance allows him to connect deeply with his subjects, resulting in powerful images that reveal identity, vulnerability, and sustained presence. His photography is a pursuit of timeless forms and psychological depth, capturing the subject as both an individual and a piece of living sculpture.
"Young lady and cars at night." 2020
Edward Olive is an English photographer and actor based in Madrid, Spain. Known for his distinctive fine art approach, Olive specialises in compelling people photography, blending commercial needs with classical artistic sensibilities. His work is characterised by a dramatic use of chiaroscuro (strong contrast between light and shadow), drawing inspiration from painting and cinema.
He focuses on portraiture with actors, models, and artists, as well as capturing authentic human interaction in various settings. Olive's own background in performance allows him to connect deeply with his subjects, resulting in powerful images that reveal identity, vulnerability, and sustained presence. His photography is a pursuit of timeless forms and psychological depth, capturing the subject as both an individual and a piece of living sculpture.
Edward Olive
Price: £1000
"Young lady and city lights." 2020
"Symbiotic Identity: The dual-exposure technique physically merges the young lady's form (head, face) with the motion-blurred cars and city lights. This asks: Where does the individual end and the city begin? The body becomes a canvas for the transient energy of the modern urban environment, symbolizing how our mental and emotional landscape is constantly overwritten by external stimuli."
"Young lady and city lights." 2020
"Symbiotic Identity: The dual-exposure technique physically merges the young lady's form (head, face) with the motion-blurred cars and city lights. This asks: Where does the individual end and the city begin? The body becomes a canvas for the transient energy of the modern urban environment, symbolizing how our mental and emotional landscape is constantly overwritten by external stimuli."
Michael Eckart
Price: Upon request.
"Outskirts of Tokyo." 2016
Michael Eckart has spent significant time in Japan, Bali, and other parts of Asia, but Venice now feels like home. From a young age, he aspired to be a photographer or designer, always drawn to creativity. However, these passions did not take center stage in his career until much later. In the 1960s, he began designing window displays and creating objects for visual merchandising.
During this time, MoMA requested some of his designs for an exhibition on contemporary design in New York. By the late 1980s, the scale of his creations changed as he transitioned into jewelry design, working with materials such as buffalo horn, bone, and especially sterling silver. From 2004 to 2006, he exhibited his jewelry in Paris, where he was awarded the Étoiles de Mode for Best Design three consecutive times. His jewelry gained widespread recognition, with features in prestigious publications such as Vogue, Harper’s Bazaar, Elle, and others.
In 2016, his son gifted him an old camera, reigniting his passion for photography. In 2024, he entered his first photography competition and achieved success.
"Outskirts of Tokyo." 2016
Michael Eckart has spent significant time in Japan, Bali, and other parts of Asia, but Venice now feels like home. From a young age, he aspired to be a photographer or designer, always drawn to creativity. However, these passions did not take center stage in his career until much later. In the 1960s, he began designing window displays and creating objects for visual merchandising.
During this time, MoMA requested some of his designs for an exhibition on contemporary design in New York. By the late 1980s, the scale of his creations changed as he transitioned into jewelry design, working with materials such as buffalo horn, bone, and especially sterling silver. From 2004 to 2006, he exhibited his jewelry in Paris, where he was awarded the Étoiles de Mode for Best Design three consecutive times. His jewelry gained widespread recognition, with features in prestigious publications such as Vogue, Harper’s Bazaar, Elle, and others.
In 2016, his son gifted him an old camera, reigniting his passion for photography. In 2024, he entered his first photography competition and achieved success.
Silent Film Wanderer
Price: Upon request.
"Urban Twilight." 2025
"Urban Twilight." 2025
Silent Film Wanderer
Price: Upon request.
"Urban Twilight." 2025
"A human silently wandering around the world, contemplating, and capturing unique moments on film."
"Urban Twilight." 2025
"A human silently wandering around the world, contemplating, and capturing unique moments on film."
Silent Film Wanderer
Price: Upon request.
"Urban Twilight." 2025
"Urban Twilight." 2025
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