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FACES
Frankie Breakfast
Price: £704
"Skin of the Forest - Emerge." 2025
"Skin of the Forest - Emerge." 2025
Frankie Breakfast
Price: £704
"Skin of the Forest - Mosaic." 2025
Skin of the Forest is a photographic meditation on the fragile yet resilient bond between the human body and the natural world. In these images, skin and bark speak the same language: both marked by time, both carrying scars, both shaped by light. The body does not stand apart from nature but dissolves into it, becoming another layer of the forest’s living memory.
This project is not about domination, but coexistence. It is an exploration of belonging, where sustainability is an emotional practice, preserving the invisible relationships between humans and the world that breathes around us.
Through a minimalist and contemplative approach, Skin of the Forest invites viewers to rediscover the sacredness of presence and touch. It asks us to soften, to listen, to remember that we are not above nature, but within it - kin to all that grows, decays, and begins again.
"Skin of the Forest - Mosaic." 2025
Skin of the Forest is a photographic meditation on the fragile yet resilient bond between the human body and the natural world. In these images, skin and bark speak the same language: both marked by time, both carrying scars, both shaped by light. The body does not stand apart from nature but dissolves into it, becoming another layer of the forest’s living memory.
This project is not about domination, but coexistence. It is an exploration of belonging, where sustainability is an emotional practice, preserving the invisible relationships between humans and the world that breathes around us.
Through a minimalist and contemplative approach, Skin of the Forest invites viewers to rediscover the sacredness of presence and touch. It asks us to soften, to listen, to remember that we are not above nature, but within it - kin to all that grows, decays, and begins again.
Bo Colin
Price: £190
"The old bottle picker." 2024
Photography followed Bo Colin like his own shadow, through his varied and creative life. After many years of working in creative areas, such as the design and the manufacturing of unique and bespoke pieces of furniture as well as sculptures, he decided to try a new field of expression and swapped from design to photography and picked up his camera. Born and raised in Germany, he felt early on that borders had to be crossed in order to fully develop. To manifest this destiny he undertook uncountable trips within Europe, spent years living in Scotland, Cornwall as well as on board his boat in the North and Baltic Seas, that was his home for years. This sharpened his eyes and opened his mind for the aesthetic, beautiful and special. Now, Bo currently travels a lot in Europe and Brazil. His photos are always unadulterated, raw and technically simple with no photoshop or AI involved.
"In faces I can read like a book. It can be poetry, documentary, frightening, funny, erotic, strong, closed or just entertaining. With every portrait taken I open a new book - always with respect. I met "The old bottle picker" on the street on a sunny evening. He told me that he was living off picking bottles for the refund. His portrait definitely tells a strong story too."
"The old bottle picker." 2024
Photography followed Bo Colin like his own shadow, through his varied and creative life. After many years of working in creative areas, such as the design and the manufacturing of unique and bespoke pieces of furniture as well as sculptures, he decided to try a new field of expression and swapped from design to photography and picked up his camera. Born and raised in Germany, he felt early on that borders had to be crossed in order to fully develop. To manifest this destiny he undertook uncountable trips within Europe, spent years living in Scotland, Cornwall as well as on board his boat in the North and Baltic Seas, that was his home for years. This sharpened his eyes and opened his mind for the aesthetic, beautiful and special. Now, Bo currently travels a lot in Europe and Brazil. His photos are always unadulterated, raw and technically simple with no photoshop or AI involved.
"In faces I can read like a book. It can be poetry, documentary, frightening, funny, erotic, strong, closed or just entertaining. With every portrait taken I open a new book - always with respect. I met "The old bottle picker" on the street on a sunny evening. He told me that he was living off picking bottles for the refund. His portrait definitely tells a strong story too."
Monica Chandwani
Price: Not for sale.
"Annie - Crowned in cloth." 2025
"Lately, I’ve been working on projects that bring me closer to my South Asian side, especially through the people around me. I take a lot of inspiration from old Bollywood films their colour, emotions and boldness. There’s something powerful in the way those films made space for beauty and feeling and I want to carry some of that spirit into the present into real people and real light. Through my lens, I want to create space for people like me diasporic, in between, second generation, curious, unsure; to see our culture not as something to hide, but something to wear proudly. My photographs are not just images, but invitations to feel home in your own self."
"Annie - Crowned in cloth." 2025
"Lately, I’ve been working on projects that bring me closer to my South Asian side, especially through the people around me. I take a lot of inspiration from old Bollywood films their colour, emotions and boldness. There’s something powerful in the way those films made space for beauty and feeling and I want to carry some of that spirit into the present into real people and real light. Through my lens, I want to create space for people like me diasporic, in between, second generation, curious, unsure; to see our culture not as something to hide, but something to wear proudly. My photographs are not just images, but invitations to feel home in your own self."
Monica Chandwani
Price: Not for sale.
"Samra - Her name is enough." 2025
"I’m an Indian-Spanish photographer and I’ve always turned to photography as a quiet way to make sense of where I come from. Growing up between cultures, I often felt unsure of how much of one I was allowed to be without losing the other. Picking up a camera helped me slow things down, to notice the small details, the expressions, the textures that felt like home even when I couldn’t always name them."
"Samra - Her name is enough." 2025
"I’m an Indian-Spanish photographer and I’ve always turned to photography as a quiet way to make sense of where I come from. Growing up between cultures, I often felt unsure of how much of one I was allowed to be without losing the other. Picking up a camera helped me slow things down, to notice the small details, the expressions, the textures that felt like home even when I couldn’t always name them."
Michael Eckart
Price: Upon request.
"Maybe they're married now." 2016
"Usually, it takes me just a minute or two to take a photograph, quick snaps that later become finished images through digital processing. But this one was different. It was taken several years ago in Colombo when I saw a young couple sitting on a bench on the seafront. They had noticed me observing them, so I asked if I could take their picture. The young man readily agreed, leaning back with relaxed confidence as he looked into the lens, almost like a professional model. The young woman, by contrast, appeared slightly shy, as if unaccustomed to such attention. In Sri Lanka, even the younger generations remain deeply connected to tradition. The Western concept of "casual dating" scarcely exists here, and when it does, it's rarely displayed publicly. This naturally leads to the question: Are they married now? The likelihood is high. They may even have children by now. In this society, relationships seldom remain casual; they usually mark the beginning of a journey towards marriage and starting a family. This photo might not have been a random snapshot, but the beginning of their future together. Although I only captured a fleeting moment that day, this photo could now be hanging in their home, reminding them of a time when everything was rosy and still new for them."
"Maybe they're married now." 2016
"Usually, it takes me just a minute or two to take a photograph, quick snaps that later become finished images through digital processing. But this one was different. It was taken several years ago in Colombo when I saw a young couple sitting on a bench on the seafront. They had noticed me observing them, so I asked if I could take their picture. The young man readily agreed, leaning back with relaxed confidence as he looked into the lens, almost like a professional model. The young woman, by contrast, appeared slightly shy, as if unaccustomed to such attention. In Sri Lanka, even the younger generations remain deeply connected to tradition. The Western concept of "casual dating" scarcely exists here, and when it does, it's rarely displayed publicly. This naturally leads to the question: Are they married now? The likelihood is high. They may even have children by now. In this society, relationships seldom remain casual; they usually mark the beginning of a journey towards marriage and starting a family. This photo might not have been a random snapshot, but the beginning of their future together. Although I only captured a fleeting moment that day, this photo could now be hanging in their home, reminding them of a time when everything was rosy and still new for them."
Leroy Skalstad
Price: £120
"Melancholy-Child." 2016
"Melancholy-Child." 2016
Leroy Skalstad
Price: £120
"Vivian." 2024
Leroy Skalstad is a disabled veteran who finds peace taking his camera to the streets.
"Vivian." 2024
Leroy Skalstad is a disabled veteran who finds peace taking his camera to the streets.
Nadine Rapczynski
Price: Upon request.
"Portrait of Romano." 2025
"I've wanted to photograph him for so long, and now it's finally happened with his wife. The two have such a deep love, and I like him because he radiates pure Italy. He's from Naples. I wanted to take that picture again with him looking into the camera... but it didn't work out, it probably wasn't meant to be."
"Portrait of Romano." 2025
"I've wanted to photograph him for so long, and now it's finally happened with his wife. The two have such a deep love, and I like him because he radiates pure Italy. He's from Naples. I wanted to take that picture again with him looking into the camera... but it didn't work out, it probably wasn't meant to be."
Brendan Muldoon
Price: Not for sale.
"Optimism, A Man on the Street." 2025
"I’m currently at the beginning of my journey in photography, having started formal learning and study of photographic techniques and practice from late 2024. I have much to learn but I’m excited about the experience and the journey. My background and life experience is working class and this remains the framework or lens I interpret the world through. Not surprisingly I spent my career in education with a specific focus on working in socially and economically deprived and marginalised communities in greater Belfast, developing and supporting regeneration strategies.
In this current phase of life I find myself captivated by the potential of photography as an art form to explore and express the nature of the human condition and how that shapes my own perceptions of the meaning of life. My particular interests are with street and social photography, particularly in black and white, that afford wonderful opportunities to explore at first hand social situations, how people interact people with society and people, their place within it and what sustains them. Street photography allows me to make observations about people in a wide and often very divergent set of circumstances.
My camera offers me the opportunity to capture moments, behaviors and emotional expressions, snap shots of people’s interactions with life. As an art form I see photography as an exceptional means for creative expression and insight into the human condition and allows for a social commentary of our times. But at another level it also helps one mediate with the beauty of life and it’s possibilities. In these respects I am reminded often of the observation of Jordan Peterson, “Beauty calls people to their higher being, and to make friends with beauty is to introduce yourself to one of the mysteries of life that make it worth living."
"In this street portrait, "Optimism, A Man on the Street", I engaged with this man who was clearly very articulate and intelligent but also existing in the most challenging of circumstances in life on the streets in Belfast. I spoke with him, listening attentively to his views and insights into the world around him, his notions of power, social injustice and inequalities and the conflicting forces that rage in society that explained so much about the apparent absurdities of life that he articulated.
Perhaps I achieved, even if only some sense of his motivating force in life, or at least how he engaged with it, and it seemed clear that despite his circumstances, that his life experience, character and personality have allowed him to be fortified with a remarkable sense of optimism. I am most grateful that he permitted me to photograph this black and white portrait of him seated on a park bench on a street in Belfast, for this representation allowed me to capture some of this remarkable fortitude and optimism that he exuded in those moments."
"Optimism, A Man on the Street." 2025
"I’m currently at the beginning of my journey in photography, having started formal learning and study of photographic techniques and practice from late 2024. I have much to learn but I’m excited about the experience and the journey. My background and life experience is working class and this remains the framework or lens I interpret the world through. Not surprisingly I spent my career in education with a specific focus on working in socially and economically deprived and marginalised communities in greater Belfast, developing and supporting regeneration strategies.
In this current phase of life I find myself captivated by the potential of photography as an art form to explore and express the nature of the human condition and how that shapes my own perceptions of the meaning of life. My particular interests are with street and social photography, particularly in black and white, that afford wonderful opportunities to explore at first hand social situations, how people interact people with society and people, their place within it and what sustains them. Street photography allows me to make observations about people in a wide and often very divergent set of circumstances.
My camera offers me the opportunity to capture moments, behaviors and emotional expressions, snap shots of people’s interactions with life. As an art form I see photography as an exceptional means for creative expression and insight into the human condition and allows for a social commentary of our times. But at another level it also helps one mediate with the beauty of life and it’s possibilities. In these respects I am reminded often of the observation of Jordan Peterson, “Beauty calls people to their higher being, and to make friends with beauty is to introduce yourself to one of the mysteries of life that make it worth living."
"In this street portrait, "Optimism, A Man on the Street", I engaged with this man who was clearly very articulate and intelligent but also existing in the most challenging of circumstances in life on the streets in Belfast. I spoke with him, listening attentively to his views and insights into the world around him, his notions of power, social injustice and inequalities and the conflicting forces that rage in society that explained so much about the apparent absurdities of life that he articulated.
Perhaps I achieved, even if only some sense of his motivating force in life, or at least how he engaged with it, and it seemed clear that despite his circumstances, that his life experience, character and personality have allowed him to be fortified with a remarkable sense of optimism. I am most grateful that he permitted me to photograph this black and white portrait of him seated on a park bench on a street in Belfast, for this representation allowed me to capture some of this remarkable fortitude and optimism that he exuded in those moments."
Elena Rylina
Price: Upon request.
"Lunar Silhouette." 2025
"I work with photography as a space for exploring light and form. My focus is on studio photography, where every light source is a tool for creating mood and revealing the character of a person. I construct scenes so that light does not merely illuminate the subject but becomes part of the narrative, shaping the perception of color, volume, and texture."
"Lunar Silhouette." 2025
"I work with photography as a space for exploring light and form. My focus is on studio photography, where every light source is a tool for creating mood and revealing the character of a person. I construct scenes so that light does not merely illuminate the subject but becomes part of the narrative, shaping the perception of color, volume, and texture."
Elena Rylina
Price: Upon request.
"Murky Glow." 2025
"My name is Elena Rylina, and for the past seven years I have been living in the Czech Republic, where I graduated from the "Art and Design Institute" with a Bachelor of Arts degree in Photography. Living here has allowed me to deepen my knowledge and develop a strong creative approach to photography. I specialize in creative studio lighting, designing unique light setups for a variety of projects. I teach other photographers through workshops and masterclasses, sharing my expertise and techniques for working with both studio strobes and continuous light. I have also collaborated with Kristýna Pysková, Miss World 2023, on photography projects. I am a member of the "Association of Photographers Eurasia." My work has been featured in international exhibitions "Art-collide" (Spring 2025) and "Blue Space Gallery" (international exhibition and competition). My photography has been published in renowned magazines such as MOB Journal, Marika Magazine, Moevir, Selin, Malvie French Magazine, and others. I have also collaborated with Czech influencers, including Mary Zhu, on various commercial projects and campaigns for brands such as Rossman and Cosibella, with resulting publications appearing in Opium Magazine. I strive for my photographs to not only reflect the uniqueness of each subject but also bring creative concepts to life through light and composition. I continue to develop my professional skills, pursue new creative achievements, and maintain the highest standards in my work."
"For me, the connection between technical precision and emotional depth is essential. I design lighting setups with no accidental choices: every shadow, highlight, and tonal
transition has its place and meaning. In my work, light can be soft and almost invisible, or sharp and graphic, yet it always speaks about the person in front of the lens. Inspired by theatre, painting, and cinema, I strive to make my photographs more than just images. They are visual stories where the viewer can pause, look closer, and discover more than meets the eye."
"Murky Glow." 2025
"My name is Elena Rylina, and for the past seven years I have been living in the Czech Republic, where I graduated from the "Art and Design Institute" with a Bachelor of Arts degree in Photography. Living here has allowed me to deepen my knowledge and develop a strong creative approach to photography. I specialize in creative studio lighting, designing unique light setups for a variety of projects. I teach other photographers through workshops and masterclasses, sharing my expertise and techniques for working with both studio strobes and continuous light. I have also collaborated with Kristýna Pysková, Miss World 2023, on photography projects. I am a member of the "Association of Photographers Eurasia." My work has been featured in international exhibitions "Art-collide" (Spring 2025) and "Blue Space Gallery" (international exhibition and competition). My photography has been published in renowned magazines such as MOB Journal, Marika Magazine, Moevir, Selin, Malvie French Magazine, and others. I have also collaborated with Czech influencers, including Mary Zhu, on various commercial projects and campaigns for brands such as Rossman and Cosibella, with resulting publications appearing in Opium Magazine. I strive for my photographs to not only reflect the uniqueness of each subject but also bring creative concepts to life through light and composition. I continue to develop my professional skills, pursue new creative achievements, and maintain the highest standards in my work."
"For me, the connection between technical precision and emotional depth is essential. I design lighting setups with no accidental choices: every shadow, highlight, and tonal
transition has its place and meaning. In my work, light can be soft and almost invisible, or sharp and graphic, yet it always speaks about the person in front of the lens. Inspired by theatre, painting, and cinema, I strive to make my photographs more than just images. They are visual stories where the viewer can pause, look closer, and discover more than meets the eye."
Tonya Russell
Price: Upon request.
"Untitled." 2025
"My work is rooted in the themes of hope, loss, and rebirth; a reflection of life’s constant cycles and the beauty that emerges from transformation. Each piece is both a personal expression and a shared space, created to invite a sense of connection and belonging for both myself and the viewer. I work with vintage pieces, layered textures, and found objects, breathing new life into elements once forgotten. These pieces carry history, memory, and emotion; woven together to create something both nostalgic and new. Through this process, I aim to illuminate the resilience that can rise from pain and the quiet hope that lingers even in absence. My prior time at Texas Woman’s University, where I obtained a Bachelor of Science in Sociology, deeply informs my perspective as an artist. It shapes the way I interpret human experience, emotion, and connection; central themes that guide and ground my creative process."
"Untitled." 2025
"My work is rooted in the themes of hope, loss, and rebirth; a reflection of life’s constant cycles and the beauty that emerges from transformation. Each piece is both a personal expression and a shared space, created to invite a sense of connection and belonging for both myself and the viewer. I work with vintage pieces, layered textures, and found objects, breathing new life into elements once forgotten. These pieces carry history, memory, and emotion; woven together to create something both nostalgic and new. Through this process, I aim to illuminate the resilience that can rise from pain and the quiet hope that lingers even in absence. My prior time at Texas Woman’s University, where I obtained a Bachelor of Science in Sociology, deeply informs my perspective as an artist. It shapes the way I interpret human experience, emotion, and connection; central themes that guide and ground my creative process."
Camdyen Tate
Price: Upon request.
"Blue." 2025
"I've been into photography for almost four years now, and I can confidently say that this form of expression offers an unparalleled sense of creativity. With my creative eye and unique perspective, I strive to create art that evokes emotion and sparks conversation. From candid shots of bustling city streets to vibrant portraits, I use the power of photography to create and tell stories and provide a momentary escape from reality. I'm able to capture moments that otherwise would be forgotten in the annals of time. As I have grown and developed as a photographer, I have come to understand that this medium is about so much more than just taking pictures. It is a way of seeing the world, of framing and highlighting the beauty and complexity of the world around us. It is a way of telling stories and sharing experiences. One of the things I love most about photography is that it is always evolving. There are always new techniques to learn and new technologies to explore. I am drawn to this constant sense of growth and discovery, and I am excited to continue this journey as a career path."
"Blue." 2025
"I've been into photography for almost four years now, and I can confidently say that this form of expression offers an unparalleled sense of creativity. With my creative eye and unique perspective, I strive to create art that evokes emotion and sparks conversation. From candid shots of bustling city streets to vibrant portraits, I use the power of photography to create and tell stories and provide a momentary escape from reality. I'm able to capture moments that otherwise would be forgotten in the annals of time. As I have grown and developed as a photographer, I have come to understand that this medium is about so much more than just taking pictures. It is a way of seeing the world, of framing and highlighting the beauty and complexity of the world around us. It is a way of telling stories and sharing experiences. One of the things I love most about photography is that it is always evolving. There are always new techniques to learn and new technologies to explore. I am drawn to this constant sense of growth and discovery, and I am excited to continue this journey as a career path."
Rainer Würth
Price: Upon request.
"The Mirror." 2023
Rainer Würth (1967) writer, photographer (portraits, body & nude, landscape). In his photos inner and outer landscapes often blur into one another. He is interested in the open, in fragments and abstraction. For him as a photographer it is all about the moment, motif and composition. In the process of taking pictures Rainer Würth experiments with apertures and exposures, intentional camera movement (ICM), light and color. The camera is a tool for him to create visual poetry or to tell a story.
"A face concentrated, focused, and reduced to a little mirror in the hand of the model. (Catarina). Her face in the mirror is the only clear, sharp and in a way real element in this image. The rest of the image has a kind of dreamy atmosphere."
"The Mirror." 2023
Rainer Würth (1967) writer, photographer (portraits, body & nude, landscape). In his photos inner and outer landscapes often blur into one another. He is interested in the open, in fragments and abstraction. For him as a photographer it is all about the moment, motif and composition. In the process of taking pictures Rainer Würth experiments with apertures and exposures, intentional camera movement (ICM), light and color. The camera is a tool for him to create visual poetry or to tell a story.
"A face concentrated, focused, and reduced to a little mirror in the hand of the model. (Catarina). Her face in the mirror is the only clear, sharp and in a way real element in this image. The rest of the image has a kind of dreamy atmosphere."
Bardia Kabirifar
Price: Upon request.
"Maria." 2024
Bardia Kabirifar is a freelance documentary photographer who narrates the stories of indigenous people, local cultures, and minorities. As well as social crises, wildlife conservation, and human-wildlife interactions. He was among the participants of Hamburg Portfolio Review 2024 and Canon Student Development Program 2024, also among the winners of Tokyo International Foto Awards 2024 and among the finalists of Siena International Photo Awards 2025. He was also among the nominees of World Press Photo Joop Swart Masterclass in 2025.
"Maria." 2024
Bardia Kabirifar is a freelance documentary photographer who narrates the stories of indigenous people, local cultures, and minorities. As well as social crises, wildlife conservation, and human-wildlife interactions. He was among the participants of Hamburg Portfolio Review 2024 and Canon Student Development Program 2024, also among the winners of Tokyo International Foto Awards 2024 and among the finalists of Siena International Photo Awards 2025. He was also among the nominees of World Press Photo Joop Swart Masterclass in 2025.
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