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NATURE STUDIES
Avigail Ramirez
Price: Not for sale.
"Here." 2025
"Here." 2025
Avigail Ramirez
Price: Not for sale.
"Here." 2025
"Here." 2025
Avigail Ramirez
Price: Not for sale.
"Here." 2025
"Hello there! I'm Avigail Ramirez, a 23-year-old photographer from the Cayman Islands. My photographic journey began in 2018 with my iPod Touch. Little did I know this small passion would become what I live and breathe. My mission as a photographer is to capture the little moments that people often overlook, evoking feelings of warmth and familiarity."
"These three images are from a series I have been working on called "Here". I focus on the textures, gestures, and fleeting moments that often go unnoticed, details that speak to a deeper connection between people and place. Rather than staging or isolating my subjects, I treat people as extensions of the landscape, especially children, whose playful, instinctive movements often express what words cannot. Hands in water, feet pressing into sand, light brushing across skin. These fragments of experience are where meaning lives for me. I want viewers not just to see these images, but to feel them: the warmth of the sun, the salt in the air, the weight of stillness."
"Here." 2025
"Hello there! I'm Avigail Ramirez, a 23-year-old photographer from the Cayman Islands. My photographic journey began in 2018 with my iPod Touch. Little did I know this small passion would become what I live and breathe. My mission as a photographer is to capture the little moments that people often overlook, evoking feelings of warmth and familiarity."
"These three images are from a series I have been working on called "Here". I focus on the textures, gestures, and fleeting moments that often go unnoticed, details that speak to a deeper connection between people and place. Rather than staging or isolating my subjects, I treat people as extensions of the landscape, especially children, whose playful, instinctive movements often express what words cannot. Hands in water, feet pressing into sand, light brushing across skin. These fragments of experience are where meaning lives for me. I want viewers not just to see these images, but to feel them: the warmth of the sun, the salt in the air, the weight of stillness."
Qian Li
Price: £125
"Eclipse #3." 2025
"Eclipse #3." 2025
Qian Li
Price: £125
"Blue 1, Calla Lilies." 2025
Qian Li is a London-based still life and fashion photographer whose work explores the interplay between the familiar and the uncanny. An Associate of the Royal Photographic Society (ARPS), she draws on a background in advertising to create meticulously composed images that invite viewers to reconsider the everyday objects that surround them.
Her photographs are characterised by a minimalist aesthetic, often incorporating recycled and repurposed materials to highlight the potential for new life and meaning in pre-loved objects.
Qian Li’s work is influenced by the visual language of classical painting and contemporary fashion photography. Through quiet disruption and refined detail, she encourages viewers to question the reality presented to them and consider the deeper narratives embedded in the material world.
Through the lens of planetary aesthetics and abstraction, I found myself reconnected to the rhythms of nature. Within the amplified colours, shapes, and lines of flowers, I sought to dissolve the boundary between the organic and the inorganic, revealing a quiet dialogue between the human and non-human worlds.
"Blue 1, Calla Lilies." 2025
Qian Li is a London-based still life and fashion photographer whose work explores the interplay between the familiar and the uncanny. An Associate of the Royal Photographic Society (ARPS), she draws on a background in advertising to create meticulously composed images that invite viewers to reconsider the everyday objects that surround them.
Her photographs are characterised by a minimalist aesthetic, often incorporating recycled and repurposed materials to highlight the potential for new life and meaning in pre-loved objects.
Qian Li’s work is influenced by the visual language of classical painting and contemporary fashion photography. Through quiet disruption and refined detail, she encourages viewers to question the reality presented to them and consider the deeper narratives embedded in the material world.
Through the lens of planetary aesthetics and abstraction, I found myself reconnected to the rhythms of nature. Within the amplified colours, shapes, and lines of flowers, I sought to dissolve the boundary between the organic and the inorganic, revealing a quiet dialogue between the human and non-human worlds.
Qian Li
Price: £125
"Month 2." 2025
"Month 2." 2025
Brigitte B Burckhardt
Price: £375
"The Waterfall." 2025
"The Waterfall" is a long-exposure photograph; its texture creates a veil, making one wonder what’s behind it. What other world is there to discover?"
"The Waterfall." 2025
"The Waterfall" is a long-exposure photograph; its texture creates a veil, making one wonder what’s behind it. What other world is there to discover?"
Brigitte B Burckhardt
Price: £375
"Autumnal Vibes." 2025
"This fall I took a trip to Scotland to explore the beauty of its nature. I came back with great memories. My aim was to focus on abstract photography, hoping to convey the mystical atmosphere of ancient times that I felt in the Highlands; mist hanging over small lakes, ancient rocks covered with lichen, and sudden rays of sunlight illuminating the scene. Trees in their autumnal robes, soothing rivers, and waterfalls; an enchanting land.
"Autumnal Vibes." 2025
"This fall I took a trip to Scotland to explore the beauty of its nature. I came back with great memories. My aim was to focus on abstract photography, hoping to convey the mystical atmosphere of ancient times that I felt in the Highlands; mist hanging over small lakes, ancient rocks covered with lichen, and sudden rays of sunlight illuminating the scene. Trees in their autumnal robes, soothing rivers, and waterfalls; an enchanting land.
Brigitte B Burckhardt
Price: £375
"Birch Trees." 2025
"Birch Trees" is a double-exposure shot showing the golden light and leaves in a forest. A lightness emanates from it."
"Birch Trees." 2025
"Birch Trees" is a double-exposure shot showing the golden light and leaves in a forest. A lightness emanates from it."
Larysa Pinner
Price: Upon request.
"Not Alone." 2025
"Not Alone." 2025
Larysa Pinner
Price: Upon request.
"Fields of Silence." 2025
Larysa Pinner is a Ukrainian photographer who has been drawn to photography since childhood. Her work is grounded in stillness and attention. Photography, for her, is a way to slow down - to breathe, observe, and gently reconnect with the present. She is drawn to the unnoticed: small details, soft light, subtle textures. What matters is not what she sees, but what she feels in the moment of seeing. She continues to develop a visual language that reflects her way of seeing and feeling the world. She lives and works in Ukraine. Her work has been shown in group exhibitions in Kyiv and London, and is also part of private collections in Ukraine and the United Kingdom.
"Fields of Silence." 2025
Larysa Pinner is a Ukrainian photographer who has been drawn to photography since childhood. Her work is grounded in stillness and attention. Photography, for her, is a way to slow down - to breathe, observe, and gently reconnect with the present. She is drawn to the unnoticed: small details, soft light, subtle textures. What matters is not what she sees, but what she feels in the moment of seeing. She continues to develop a visual language that reflects her way of seeing and feeling the world. She lives and works in Ukraine. Her work has been shown in group exhibitions in Kyiv and London, and is also part of private collections in Ukraine and the United Kingdom.
Larysa Pinner
Price: Upon request.
"Whisper of Morning." 2025
"Whisper of Morning." 2025
Michael Eckart
Price: Upon request.
"In the Garden of Nusa Dua." 2023
"Canna indica "Phasion" is a plant native primarily to the tropical regions of America and Asia. Like the water lily, Phasion has often been depicted by painters in modern art. My photograph vaguely reminds me of Henri Rousseau's jungle paintings, such as "Tiger in a Tropical Storm" or "Jungle with Setting Sun." The image could also be seen as a photorealistic painting. Pictorialism, a style of photography that lies somewhere between photography and painting, would also be a fitting classification. Incidentally, I did not find my motif in the Garden of Giverny, but in Nusa Dua on Bali, where there is a planting in front of a large hotel."
"In the Garden of Nusa Dua." 2023
"Canna indica "Phasion" is a plant native primarily to the tropical regions of America and Asia. Like the water lily, Phasion has often been depicted by painters in modern art. My photograph vaguely reminds me of Henri Rousseau's jungle paintings, such as "Tiger in a Tropical Storm" or "Jungle with Setting Sun." The image could also be seen as a photorealistic painting. Pictorialism, a style of photography that lies somewhere between photography and painting, would also be a fitting classification. Incidentally, I did not find my motif in the Garden of Giverny, but in Nusa Dua on Bali, where there is a planting in front of a large hotel."
Scott Sanders
Price: Upon request.
"When the Light Grows Tired." 2025
"I listen for what a moment wants to say, to see what can be, to view it in a way that gives opportunity and chance the time they need to reveal what others often do not, and most will never notice. My work covers anything that offers the opportunity to be photographed with observance and wonder. My pictures are taken more with feeling than with sight, guided by emotion and intuition rather than by what’s simply seen. From landscapes and nature to the places where people and the natural world coexist, to buildings and structures shaped by time, I follow whatever invites quiet attention. My work invites viewers to slow down and notice the beauty found in what’s often overlooked, and to remember that every moment, if given time, has something to say."
"The day exhales its last warmth, and the air begins to listen. Shadows lengthen not to claim, but to gather what the light has left. Even the water moves without intent, mirroring what the sky forgets. What remains is neither light nor dark, but the pause between them - a stillness that understands its own fading."
"When the Light Grows Tired." 2025
"I listen for what a moment wants to say, to see what can be, to view it in a way that gives opportunity and chance the time they need to reveal what others often do not, and most will never notice. My work covers anything that offers the opportunity to be photographed with observance and wonder. My pictures are taken more with feeling than with sight, guided by emotion and intuition rather than by what’s simply seen. From landscapes and nature to the places where people and the natural world coexist, to buildings and structures shaped by time, I follow whatever invites quiet attention. My work invites viewers to slow down and notice the beauty found in what’s often overlooked, and to remember that every moment, if given time, has something to say."
"The day exhales its last warmth, and the air begins to listen. Shadows lengthen not to claim, but to gather what the light has left. Even the water moves without intent, mirroring what the sky forgets. What remains is neither light nor dark, but the pause between them - a stillness that understands its own fading."
Rainer Würth
Price: Upon request.
"Some Trees 1." 2025
Rainer Würth (1967) writer, photographer (portraits, body & nude, landscape). In his photos inner and outer landscapes often blur into one another. He is interested in the open, in fragments and abstraction. For him as a photographer it is all about the moment, motif and composition. In the process of taking pictures Rainer Würth experiments with apertures and exposures, intentional camera movement (ICM), light and color. The camera is a tool for him to create visual poetry or to tell a story.
"A collection of trees. A small wooded area. But not all of these trees are real. There is a disruptive element in this image."
"Some Trees 1." 2025
Rainer Würth (1967) writer, photographer (portraits, body & nude, landscape). In his photos inner and outer landscapes often blur into one another. He is interested in the open, in fragments and abstraction. For him as a photographer it is all about the moment, motif and composition. In the process of taking pictures Rainer Würth experiments with apertures and exposures, intentional camera movement (ICM), light and color. The camera is a tool for him to create visual poetry or to tell a story.
"A collection of trees. A small wooded area. But not all of these trees are real. There is a disruptive element in this image."
Cassidy Ferry
Price: Upon request.
"Like Mother, Like Daughter." 2025
Currently pursuing an MA in Photography at the Royal College of Art, Cassidy's work delves into the emotional and psychological landscapes often left overlooked by society.
Through image, language, and narrative, Cassidy visualises thought and gives voice to the emotional truths embedded in mental health as well as the relationships between humans and animals. Her creativity seeks not just to reveal, but to connect us in knowing that we are not alone in the wilderness of life.
"Like Mother, Like Daughter." 2025
Currently pursuing an MA in Photography at the Royal College of Art, Cassidy's work delves into the emotional and psychological landscapes often left overlooked by society.
Through image, language, and narrative, Cassidy visualises thought and gives voice to the emotional truths embedded in mental health as well as the relationships between humans and animals. Her creativity seeks not just to reveal, but to connect us in knowing that we are not alone in the wilderness of life.
Vedeesh Bali
Price: Upon request.
"Whispering Bamboo, Kyoto, Japan." 2025
Vedeesh Bali is an emerging photographer whose work spans nature, sport, and cityscapes. Introduced to photography through his grandfather’s old DSLR, he developed an early fascination with capturing movement and detail in the world around him. Over time, his practice has grown to include both digital and film, with a focus on visual composition and the subtle contrasts found in everyday life. His recent projects explore the interplay of stillness and motion across different environments, from Japanese bamboo groves to European city skylines.
"I first found myself drawn to nature and sport; two fields characterised by energy, unpredictability, and rhythm. Over the years, my practice has expanded to include cityscapes and architectural forms, while I’ve also started experimenting with both digital and film cameras. Each shift in subject or medium has deepened my understanding of how light, motion, and composition shape the way we perceive moments."
"Whispering Bamboo, Kyoto, Japan." 2025
Vedeesh Bali is an emerging photographer whose work spans nature, sport, and cityscapes. Introduced to photography through his grandfather’s old DSLR, he developed an early fascination with capturing movement and detail in the world around him. Over time, his practice has grown to include both digital and film, with a focus on visual composition and the subtle contrasts found in everyday life. His recent projects explore the interplay of stillness and motion across different environments, from Japanese bamboo groves to European city skylines.
"I first found myself drawn to nature and sport; two fields characterised by energy, unpredictability, and rhythm. Over the years, my practice has expanded to include cityscapes and architectural forms, while I’ve also started experimenting with both digital and film cameras. Each shift in subject or medium has deepened my understanding of how light, motion, and composition shape the way we perceive moments."
Trisha Lahiri
Price: Upon request.
"The Other Within." 2023
Trisha Lahiri was born in Dhanbad, a small industrial town in India, and has spent the past decade living in various parts of Europe, including Portugal, Sweden, France, and currently Germany. By profession, she is a medical researcher, balancing her scientific work life with a passion for photography.
Trisha’s journey into photography began as a personal endeavour to share the world outside her home with her late grandmother. This initial intent to capture and convey the beauty of her surroundings gradually blossomed into a cherished hobby and a vital creative refuge. Her self-taught skills in digital photography reflect a deep, ongoing commitment to learning and exploring the medium.
Her work captures the nuances of everyday life and the extraordinary moments within it, blending her scientific precision with an artistic eye. As she continues to evolve as a hobbyist photographer, her work remains a source of joy and exploration, capturing the beauty and complexity of the world around her.
"My photography explores the intersections of light, stillness, and emotion; moments where the ordinary reveals something contemplative. I’m drawn to fragments of calm and subtle transitions that hold quiet depth. With a background in scientific research, I see photography as both inquiry and meditation. Each image becomes a study in perception as an attempt to pause time and understand the delicate balance between presence and impermanence. Through simplicity and restraint, I seek to uncover the harmony and poetry that exist within the everyday."
"The Other Within." 2023
Trisha Lahiri was born in Dhanbad, a small industrial town in India, and has spent the past decade living in various parts of Europe, including Portugal, Sweden, France, and currently Germany. By profession, she is a medical researcher, balancing her scientific work life with a passion for photography.
Trisha’s journey into photography began as a personal endeavour to share the world outside her home with her late grandmother. This initial intent to capture and convey the beauty of her surroundings gradually blossomed into a cherished hobby and a vital creative refuge. Her self-taught skills in digital photography reflect a deep, ongoing commitment to learning and exploring the medium.
Her work captures the nuances of everyday life and the extraordinary moments within it, blending her scientific precision with an artistic eye. As she continues to evolve as a hobbyist photographer, her work remains a source of joy and exploration, capturing the beauty and complexity of the world around her.
"My photography explores the intersections of light, stillness, and emotion; moments where the ordinary reveals something contemplative. I’m drawn to fragments of calm and subtle transitions that hold quiet depth. With a background in scientific research, I see photography as both inquiry and meditation. Each image becomes a study in perception as an attempt to pause time and understand the delicate balance between presence and impermanence. Through simplicity and restraint, I seek to uncover the harmony and poetry that exist within the everyday."
Karen Safer
Price: £800
"Tasmanian Tower." 2023
Karen Safer is an international, award-winning California photographic artist, writer and poet. As a native Angelino, she was given a camera and crayons at 3 and exposed to dominant California motifs: light, palm trees, the ocean, music and vernacular architecture that helped define and influence her left-handed aesthetic.
"We are apart and yet separate from nature. We revel and are amazed by the natural world. I think we are always studying and sketching and trying to master and capture nature’s majesty in art or photography. I love trees and their canopies and the sea and flowers. They never disappoint and always are here for our joy. My mother taught me to love flowers and she is ever present in every photo I take of them. Sometimes they wiggle and I take that as a sign she is saying "hello". I am an eternally grateful flower child. As a young photographer, however, I never photographed flowers or wild nature. It wasn’t until I was older that they utterly called to me and beckoned, enchanted me."
"Tasmanian Tower." 2023
Karen Safer is an international, award-winning California photographic artist, writer and poet. As a native Angelino, she was given a camera and crayons at 3 and exposed to dominant California motifs: light, palm trees, the ocean, music and vernacular architecture that helped define and influence her left-handed aesthetic.
"We are apart and yet separate from nature. We revel and are amazed by the natural world. I think we are always studying and sketching and trying to master and capture nature’s majesty in art or photography. I love trees and their canopies and the sea and flowers. They never disappoint and always are here for our joy. My mother taught me to love flowers and she is ever present in every photo I take of them. Sometimes they wiggle and I take that as a sign she is saying "hello". I am an eternally grateful flower child. As a young photographer, however, I never photographed flowers or wild nature. It wasn’t until I was older that they utterly called to me and beckoned, enchanted me."
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