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SHADOWS
Alisha Garfinkel-Gross
Price: £80
"Anniversary." 2025
Alisha Garfinkel-Gross lives in Jersey City, NJ with her husband and her four cats. When she isn't personally creating, she works in the advertising and PR industry leading creative production. Her passions also include designing album covers for bands on her husband's record label, playing scrabble, cooking, seeing live music, collecting 80s toys, and watching horror movies.
"Photography found me in high school, and I followed that call all the way to the San Francisco Art Institute. But after college, life pulled me into the fast-moving world of advertising and PR. Slowly, almost without noticing, I stopped creating for myself. In time, I confronted my own workaholism and sought healing at The Bridge to Recovery, tucked away in the woods of Kentucky. Emerging from that experience, something shifted. In October 2025, I shared my work publicly for the first time in thirteen years and the spark returned. I began experimenting again: watercolor, acrylics, charcoal, mixed media, and new ways of merging those with my photography. What I create comes from a quiet place inside a place where seeing becomes feeling. We may stand before the same view or carry the same emotions, yet how we experience them is uniquely our own. These works are my translation of those moments: how they move me, how they speak to me, how they live within me."
"Anniversary." 2025
Alisha Garfinkel-Gross lives in Jersey City, NJ with her husband and her four cats. When she isn't personally creating, she works in the advertising and PR industry leading creative production. Her passions also include designing album covers for bands on her husband's record label, playing scrabble, cooking, seeing live music, collecting 80s toys, and watching horror movies.
"Photography found me in high school, and I followed that call all the way to the San Francisco Art Institute. But after college, life pulled me into the fast-moving world of advertising and PR. Slowly, almost without noticing, I stopped creating for myself. In time, I confronted my own workaholism and sought healing at The Bridge to Recovery, tucked away in the woods of Kentucky. Emerging from that experience, something shifted. In October 2025, I shared my work publicly for the first time in thirteen years and the spark returned. I began experimenting again: watercolor, acrylics, charcoal, mixed media, and new ways of merging those with my photography. What I create comes from a quiet place inside a place where seeing becomes feeling. We may stand before the same view or carry the same emotions, yet how we experience them is uniquely our own. These works are my translation of those moments: how they move me, how they speak to me, how they live within me."
Angus Waddacor-McConill
Price: £150
"Lustres." 2022
"We live in a world of light, but it is the shadows that define how we see it. This Series explores the urban landscape as a space where light and dark exist in continual tension, structuring our experience through contrast. These images investigate shadow not as a mere absence, but as a primary architect of form that reminds us that perception is contingent rather than absolute."
"Lustres." 2022
"We live in a world of light, but it is the shadows that define how we see it. This Series explores the urban landscape as a space where light and dark exist in continual tension, structuring our experience through contrast. These images investigate shadow not as a mere absence, but as a primary architect of form that reminds us that perception is contingent rather than absolute."
Angus Waddacor-McConill
Price: £150
"Passos." 2023
Angus Waddacor-McConill is a Canadian photographer, currently based in Dublin. With a life long love of architecture and design, he began experimenting in 2018 focusing mostly on geometric forms and the play between light and shadow. From the sculptural curves of Oscar Niemeyer's buildings, to be seemingly frozen in time colonial towns, with an exotic backdrop of sun, sea and jungle, he fell in love with the beauty and vibrancy of Brazil.
From there his photographic style matured, and increasingly included the human subject with an architectural backdrop, often exploiting the merits of light in shadow in black and white, monographic photography. With work in both digital and film work, he is on a quest to experiment and evolve with every click of the camera.
"Passos." 2023
Angus Waddacor-McConill is a Canadian photographer, currently based in Dublin. With a life long love of architecture and design, he began experimenting in 2018 focusing mostly on geometric forms and the play between light and shadow. From the sculptural curves of Oscar Niemeyer's buildings, to be seemingly frozen in time colonial towns, with an exotic backdrop of sun, sea and jungle, he fell in love with the beauty and vibrancy of Brazil.
From there his photographic style matured, and increasingly included the human subject with an architectural backdrop, often exploiting the merits of light in shadow in black and white, monographic photography. With work in both digital and film work, he is on a quest to experiment and evolve with every click of the camera.
Miller Warren
Price: Upon request.
"Random Shadows." 2025
"Hello, my name is Miller and I started taking photos in 2014 when a prior babysitter and friend, who happened to be a photographer, gave me her spare camera because she saw potential in me. During this period, I experimented with landscapes, abstract, and portraits before taking a ten-year interval to focus on other things, primarily writing. But I received the "photography bug" when I travelled to a town close to the Allegheny Forest, which spurred my interest once again in an art I had only briefly tried but loved years before. When I arrived at the cabin, I had also packed many books with me, and one in particular, "The Book of Changes", made me want to infuse "Yin/Yang" philosophical approaches into my life, the photos I was taking, and other art I was working on. Other mediums of art that inspire me include film, music, architecture, and sculpture."
"Random Shadows." 2025
"Hello, my name is Miller and I started taking photos in 2014 when a prior babysitter and friend, who happened to be a photographer, gave me her spare camera because she saw potential in me. During this period, I experimented with landscapes, abstract, and portraits before taking a ten-year interval to focus on other things, primarily writing. But I received the "photography bug" when I travelled to a town close to the Allegheny Forest, which spurred my interest once again in an art I had only briefly tried but loved years before. When I arrived at the cabin, I had also packed many books with me, and one in particular, "The Book of Changes", made me want to infuse "Yin/Yang" philosophical approaches into my life, the photos I was taking, and other art I was working on. Other mediums of art that inspire me include film, music, architecture, and sculpture."
Melita Koumparouli
Price: Upon request.
"Morning questions and answers." 2026
"I was born in Greece and moved to the UK as a teenager, currently based in Leeds. I have been involved with photography and filmmaking from a very young age, as I was always drawn to narration and story telling. This has taken many different forms, from writing, composing, curating and utilising visual mediums to tell a story. Professionally, I am trained in Art History, with an MA in the Social History of Art and a BA in Art History and English Literature, I have extracted inspiration from writers, photographers, directors and sculptors. I have worked within gallery and museum settings primarily as a researcher and as a curator. I have taken part in a few exhibitions as an artist exhibiting my work in local galleries in Brighton."
"My work begins in the quiet spaces where quotidian mysteries and emotions meet. My
photographic practice is informed by the intimacy and vulnerability that emerges from witnessing the passing of time. Through subtle interactions or reflective solitude, I capture fleeting glimpses of truths. It is both a diary and a mirror, a place where self awareness becomes evident, for both the viewer and artist. Within documentary style photography I don’t aim to recreate or project a narrative, rather I find the most devastating and hidden aspects of the self. I navigate a mercurial sense of personhood by observing my place in other people’s lives and allowing for my self indulgent observation to be in itself observed. In my work, I am drawn to the unseen, the inexplicable and the intentions that remain uncertain."
"My practice is as truthful as my theoretical framework. Adhering to little traditional rules, unsuitable equipment becomes a vehicle for my own truthfulness to the viewer, rather than an obstacle. My relationship with the viewer is one of mutual immediacy. I aim to invoke the manifestation and search for the fragments of honesty that hide underneath my
mundane subject matter. My work is always concerned with mysteries and in mythologising
the deep temporal emotions I don’t uncover these mysteries, rather I accept their refusal to explain themselves fully."
"Morning questions and answers." 2026
"I was born in Greece and moved to the UK as a teenager, currently based in Leeds. I have been involved with photography and filmmaking from a very young age, as I was always drawn to narration and story telling. This has taken many different forms, from writing, composing, curating and utilising visual mediums to tell a story. Professionally, I am trained in Art History, with an MA in the Social History of Art and a BA in Art History and English Literature, I have extracted inspiration from writers, photographers, directors and sculptors. I have worked within gallery and museum settings primarily as a researcher and as a curator. I have taken part in a few exhibitions as an artist exhibiting my work in local galleries in Brighton."
"My work begins in the quiet spaces where quotidian mysteries and emotions meet. My
photographic practice is informed by the intimacy and vulnerability that emerges from witnessing the passing of time. Through subtle interactions or reflective solitude, I capture fleeting glimpses of truths. It is both a diary and a mirror, a place where self awareness becomes evident, for both the viewer and artist. Within documentary style photography I don’t aim to recreate or project a narrative, rather I find the most devastating and hidden aspects of the self. I navigate a mercurial sense of personhood by observing my place in other people’s lives and allowing for my self indulgent observation to be in itself observed. In my work, I am drawn to the unseen, the inexplicable and the intentions that remain uncertain."
"My practice is as truthful as my theoretical framework. Adhering to little traditional rules, unsuitable equipment becomes a vehicle for my own truthfulness to the viewer, rather than an obstacle. My relationship with the viewer is one of mutual immediacy. I aim to invoke the manifestation and search for the fragments of honesty that hide underneath my
mundane subject matter. My work is always concerned with mysteries and in mythologising
the deep temporal emotions I don’t uncover these mysteries, rather I accept their refusal to explain themselves fully."
Darija Kozlitina
Price: £100
"Morning wall." 2022
Darija Kozlitina is a violist with the Sinfonieorchester Basel and an amateur photographer. She was born in Riga, Latvia, in 1984. Darija discovered photography in her teenage years and began capturing anything that caught her eye. She creates photographic compositions across different genres, including street photography, nature and landscapes, portraits, and orchestra life, with a particular focus on backstage moments. Her greatest passion, however, is street photography.
Previously a member of the Rotterdam Philharmonic Orchestra, Darija traveled extensively across different countries and continents. During her free time between rehearsals and concerts, she devoted herself to exploring the streets of each city she visited. She searched, observed, and captured everyday life - moments, emotions, gestures, moods, and details that might otherwise go unnoticed. Rather than focusing on popular tourist attractions, she was drawn to experiencing and documenting the authentic atmosphere of daily life and candid street moments. To this day, street photography remains her deepest artistic passion.
"I photograph what often goes unnoticed. My work moves between the street, the backstage world of orchestras, and portraiture. I am drawn to quiet moments, gestures, and atmospheres that reveal something essential and human. Through observation and simplicity, I seek to capture authenticity - where the ordinary becomes meaningful."
"Morning wall." 2022
Darija Kozlitina is a violist with the Sinfonieorchester Basel and an amateur photographer. She was born in Riga, Latvia, in 1984. Darija discovered photography in her teenage years and began capturing anything that caught her eye. She creates photographic compositions across different genres, including street photography, nature and landscapes, portraits, and orchestra life, with a particular focus on backstage moments. Her greatest passion, however, is street photography.
Previously a member of the Rotterdam Philharmonic Orchestra, Darija traveled extensively across different countries and continents. During her free time between rehearsals and concerts, she devoted herself to exploring the streets of each city she visited. She searched, observed, and captured everyday life - moments, emotions, gestures, moods, and details that might otherwise go unnoticed. Rather than focusing on popular tourist attractions, she was drawn to experiencing and documenting the authentic atmosphere of daily life and candid street moments. To this day, street photography remains her deepest artistic passion.
"I photograph what often goes unnoticed. My work moves between the street, the backstage world of orchestras, and portraiture. I am drawn to quiet moments, gestures, and atmospheres that reveal something essential and human. Through observation and simplicity, I seek to capture authenticity - where the ordinary becomes meaningful."
Lorenzo Vitali
Price: £1400
"Mystical Shadows 01." 2011
Born in Milan in 1953, where he lives and works. He has published in numerous magazines, both in Italy and abroad, and has won numerous awards. He has presented his works in solo and group exhibitions. Driven by a creative and experimental spirit, always attentive to new artistic trends, he develops the aesthetic sense of his works by combining classical elements with innovation. He shows particular attention to form and materiality. He has a keen interest in observing various housing structures, both in rural and urban settings. This interest has been particularly evident in some Italian regions, but also abroad, particularly in New York.
"I always tackle my photographic projects after a phase of careful preparation which involves an in-depth study of the theme and several inspections of the places that will be the subject of my shots. This requires a certain amount of time, but it is also essential to get into the right atmosphere by having everything I need at my disposal. The atmospheres of my works always correspond to my way of perceiving the place and this often leads me to intervene in an important way in the post-production phase. Painting is also very important in my cultural
background and in general my approach to photography takes into account the entire visual arts. Creative and experimental, always attentive to new artistic proposals in his environment, I develop the aesthetic sense of my works by combining classic elements and innovation. I pay particular attention to shapes and materiality."
"Mystical shadows, the smell of fresh. Symbols of hope, threatening shadows. Peace and restlessness intertwine in the heart and guide the eyes where they want to go. Our mind, pregnant with memories, pierces deep darkness. Nothing can hide anymore, lights and shadows, equally legible, tell their stories."
"Mystical Shadows 01." 2011
Born in Milan in 1953, where he lives and works. He has published in numerous magazines, both in Italy and abroad, and has won numerous awards. He has presented his works in solo and group exhibitions. Driven by a creative and experimental spirit, always attentive to new artistic trends, he develops the aesthetic sense of his works by combining classical elements with innovation. He shows particular attention to form and materiality. He has a keen interest in observing various housing structures, both in rural and urban settings. This interest has been particularly evident in some Italian regions, but also abroad, particularly in New York.
"I always tackle my photographic projects after a phase of careful preparation which involves an in-depth study of the theme and several inspections of the places that will be the subject of my shots. This requires a certain amount of time, but it is also essential to get into the right atmosphere by having everything I need at my disposal. The atmospheres of my works always correspond to my way of perceiving the place and this often leads me to intervene in an important way in the post-production phase. Painting is also very important in my cultural
background and in general my approach to photography takes into account the entire visual arts. Creative and experimental, always attentive to new artistic proposals in his environment, I develop the aesthetic sense of my works by combining classic elements and innovation. I pay particular attention to shapes and materiality."
"Mystical shadows, the smell of fresh. Symbols of hope, threatening shadows. Peace and restlessness intertwine in the heart and guide the eyes where they want to go. Our mind, pregnant with memories, pierces deep darkness. Nothing can hide anymore, lights and shadows, equally legible, tell their stories."
Karen Safer
Price: £800
"L'Heure Bleue Shadows." 2026
Karen Safer, a native Angelino, is an internationally exhibited, award-winning photographic artist and poet. Her passion for art began when given camera & crayons at age 3 and immersed in California’s visual language. A lifelong traveler, she has explored over 230+ countries & territories, embracing both the exotic and unexpected.
Influenced by her father’s black-and-white photography and her mother’s insatiable curiosity for knowledge and travel, her inspirations range from ancient Assyria to conceptual works of Cindy Sherman. She began as a painter before choosing photography in college, earning a master’s degree in art and building a career in design and architecture. With 14 solo exhibitions and participation in over 590 shows, she has received more than 490 awards.
"We live in a world of shadow and pattern—the stuff that photography is made of. The images here are from my monochrome, black-and-white, and/or shadow series, focusing on light, line, shape, tone, and shadow, which can be ethereal, dreamlike, or dark. I am an "informavore" who feeds on information that fills my head with words and images. As a native California photo artist and poet, I scout the world for images that feed this narrative. I have traveled extensively and never tire of discovering "new" images. In these works, light becomes the subject matter, along with the tones of darkness and shadow."
"L'Heure Bleue Shadows." 2026
Karen Safer, a native Angelino, is an internationally exhibited, award-winning photographic artist and poet. Her passion for art began when given camera & crayons at age 3 and immersed in California’s visual language. A lifelong traveler, she has explored over 230+ countries & territories, embracing both the exotic and unexpected.
Influenced by her father’s black-and-white photography and her mother’s insatiable curiosity for knowledge and travel, her inspirations range from ancient Assyria to conceptual works of Cindy Sherman. She began as a painter before choosing photography in college, earning a master’s degree in art and building a career in design and architecture. With 14 solo exhibitions and participation in over 590 shows, she has received more than 490 awards.
"We live in a world of shadow and pattern—the stuff that photography is made of. The images here are from my monochrome, black-and-white, and/or shadow series, focusing on light, line, shape, tone, and shadow, which can be ethereal, dreamlike, or dark. I am an "informavore" who feeds on information that fills my head with words and images. As a native California photo artist and poet, I scout the world for images that feed this narrative. I have traveled extensively and never tire of discovering "new" images. In these works, light becomes the subject matter, along with the tones of darkness and shadow."
Kalib Bryan
Price: Upon request.
"Tree." 2025
"My process begins in direct contact with the environment. I spend time observing and photographing specific locations, returning to them repeatedly to capture variations in light, atmosphere, and composition. Back in the studio, I reinterpret these images through digital painting and photographic manipulation, allowing memory and intuition to guide the transformation. Figures often emerge as symbolic presences, sometimes inspired by people from my life or by the emotional imprint of a place. Rather than documenting reality, I use digital tools to construct visual narratives that feel timeless and introspective. Each work functions as a threshold into an imagined world, inviting the viewer to pause and enter a space of contemplation. Themes of solitude, loss, and self discovery are not presented as isolated experiences, but as shared emotional states that connect us. Ultimately, my practice is about creating quiet, immersive environments that encourage reflection. The finished works act as gateways into what I think of as the secret life of dreamers, a space where inner landscapes become visible and where viewers are invited to project their own memories and emotions."
"Tree." 2025
"My process begins in direct contact with the environment. I spend time observing and photographing specific locations, returning to them repeatedly to capture variations in light, atmosphere, and composition. Back in the studio, I reinterpret these images through digital painting and photographic manipulation, allowing memory and intuition to guide the transformation. Figures often emerge as symbolic presences, sometimes inspired by people from my life or by the emotional imprint of a place. Rather than documenting reality, I use digital tools to construct visual narratives that feel timeless and introspective. Each work functions as a threshold into an imagined world, inviting the viewer to pause and enter a space of contemplation. Themes of solitude, loss, and self discovery are not presented as isolated experiences, but as shared emotional states that connect us. Ultimately, my practice is about creating quiet, immersive environments that encourage reflection. The finished works act as gateways into what I think of as the secret life of dreamers, a space where inner landscapes become visible and where viewers are invited to project their own memories and emotions."
Ivana Chiwara
Price: £200
"Resting." 2025
Ivana Chiwara was born in Bulawayo, Zimbabwe (2000), but soon after emigrated with her family to Cape Town, South Africa. It was not until she was in the 7th grade (2013) that she picked up her first camera, and from there onwards her love for photography grew.
Ivana only saw photography as a hobby, however in 2022, she made the decision to explore this passion further. She is currently studying a BA in Photography in London, England. Ivana specialises in portraiture, documentary, still-life and travel photography. Her images showcase the unique way in which she views the world around her, and features her loved ones.
"Ivana explore’s the profound textures of silence through the interplay of light and shadow. By focusing on the singular acts of Holding, Resting, and Watching, she aims to elevate the mundane into the monumental. Shadows here do not obscure, they define the boundaries of our most private, quiet moments."
"Resting." 2025
Ivana Chiwara was born in Bulawayo, Zimbabwe (2000), but soon after emigrated with her family to Cape Town, South Africa. It was not until she was in the 7th grade (2013) that she picked up her first camera, and from there onwards her love for photography grew.
Ivana only saw photography as a hobby, however in 2022, she made the decision to explore this passion further. She is currently studying a BA in Photography in London, England. Ivana specialises in portraiture, documentary, still-life and travel photography. Her images showcase the unique way in which she views the world around her, and features her loved ones.
"Ivana explore’s the profound textures of silence through the interplay of light and shadow. By focusing on the singular acts of Holding, Resting, and Watching, she aims to elevate the mundane into the monumental. Shadows here do not obscure, they define the boundaries of our most private, quiet moments."
Kalib Bryan
Price: Upon request.
"Windows." 2025
Kalib Bryan is a visual artist renowned for his keen eye for beauty and creativity, specializing in fine art photography, graphic design, and digital art creation. As a current student at the iPhone Photography School, he has enjoyed travelling the world and blending mobile photography with digital painting styles to create original dreamscapes.
His work has been featured in various galleries and magazines. He has further developed his artistic vision working as an artist-in-residence, exhibiting artist, and background artist for animation projects. Through a virtual internship with The Intern Group in September 2025, he has focused on expanding his creative perspective-ranging from technical proficiency in photography to effective visual communication - to grow as an artist and designer.
"My work explores the beauty and complexity of the inner world through digitally constructed dreamscapes that exist between reality and imagination. Using mobile technology, photography, and digital painting, I transform everyday environments into surreal visual spaces that reflect solitude, memory, and emotional introspection. I am drawn to moments of quiet observation. Natural landscapes, shadows, reflections, and solitary figures serve as starting points for my work. These elements allow me to investigate the tension between presence and absence, and to create images that feel familiar yet subtly displaced. What interests me is the space where the ordinary becomes extraordinary, and where inner experience reshapes external reality."
"Windows." 2025
Kalib Bryan is a visual artist renowned for his keen eye for beauty and creativity, specializing in fine art photography, graphic design, and digital art creation. As a current student at the iPhone Photography School, he has enjoyed travelling the world and blending mobile photography with digital painting styles to create original dreamscapes.
His work has been featured in various galleries and magazines. He has further developed his artistic vision working as an artist-in-residence, exhibiting artist, and background artist for animation projects. Through a virtual internship with The Intern Group in September 2025, he has focused on expanding his creative perspective-ranging from technical proficiency in photography to effective visual communication - to grow as an artist and designer.
"My work explores the beauty and complexity of the inner world through digitally constructed dreamscapes that exist between reality and imagination. Using mobile technology, photography, and digital painting, I transform everyday environments into surreal visual spaces that reflect solitude, memory, and emotional introspection. I am drawn to moments of quiet observation. Natural landscapes, shadows, reflections, and solitary figures serve as starting points for my work. These elements allow me to investigate the tension between presence and absence, and to create images that feel familiar yet subtly displaced. What interests me is the space where the ordinary becomes extraordinary, and where inner experience reshapes external reality."
Syahwa Dika
Price: £45
"Sunlit Casting Stripes Fence." 2025
Syahwa Dika is a visual explorer just beginning her journey in the world of photography. Relying on a cell phone camera as her primary tool, she believes that the essence of a photograph lies in the sharpness of her eye and sensitivity to the subject being captured.
As a beginner at photography, she experiments extensively with photographing the natural world around her. She is also learning to capture urban scenes and human interactions. Born out of curiosity about her daily routine, Syahwa Dika actively documents the corners of her surroundings and the small moments that are often overlooked. For her, every shot is a step towards self-understanding while exploring this vast world.
"My work is an experiment in freedom and simplicity. Using a cell phone camera, I shed the burden of complex technicalities in favor of the honesty of the moment. I don't just photograph what I see, but what I feel as I explore new environments. For me, photography is a process of self-discovery. Each photograph is a fragment of my journey to discover the meaning behind ordinary things. Every shot is a small experiment in understanding the atmosphere, whether it's the stillness of nature or the bustle of the city. I want my work to feel honest, simple, and authentic, which encourages me to continue learning."
"Sunlit Casting Stripes Fence." 2025
Syahwa Dika is a visual explorer just beginning her journey in the world of photography. Relying on a cell phone camera as her primary tool, she believes that the essence of a photograph lies in the sharpness of her eye and sensitivity to the subject being captured.
As a beginner at photography, she experiments extensively with photographing the natural world around her. She is also learning to capture urban scenes and human interactions. Born out of curiosity about her daily routine, Syahwa Dika actively documents the corners of her surroundings and the small moments that are often overlooked. For her, every shot is a step towards self-understanding while exploring this vast world.
"My work is an experiment in freedom and simplicity. Using a cell phone camera, I shed the burden of complex technicalities in favor of the honesty of the moment. I don't just photograph what I see, but what I feel as I explore new environments. For me, photography is a process of self-discovery. Each photograph is a fragment of my journey to discover the meaning behind ordinary things. Every shot is a small experiment in understanding the atmosphere, whether it's the stillness of nature or the bustle of the city. I want my work to feel honest, simple, and authentic, which encourages me to continue learning."
Marcel van Beek
Price: £750
"Veined Shadow." 2018
Marcel van Beek (b. 1990, Bonn) is a Leipzig-based German visual artist whose photography operates at the intersection of fine art and scientific observation. Educated at Alanus University of Arts and Social Sciences (BFA with distinction) and informed by an early formation in scenic design, he develops images of formal rigour, tactile precision, and understated cinematic tension.
His practice investigates the ways in which surfaces record time - in stone, bark, concrete, or
water - turning micro-topographies into structures that suggest architecture, notation, and maps. Frequently shaped through dialogue with scientific institutions, his projects examine the human condition in relation to ecological limits, while remaining rooted in material presence and exacting composition. Recent bodies of work use strictly in-camera methods to disclose hidden geometries and perceptual thresholds where depiction gives way to abstraction.
Van Beek has presented solo exhibitions at the German Federal Environment Agency, the
Helmholtz Centre for Environmental Research (UFZ), and Leipzig University. His work has
gained increasing international attention, most recently through multiple Platinum distinctions at the 2026 MUSE Awards and an Artsy Curator’s Pick. His photographs are held in public collections, including Leipzig University, while his artist publications circulate internationally in museum and academic libraries (Basel, Vienna, Berlin, Düsseldorf). He is represented internationally via Cuencas Art Gallery on Artsy and Singulart’s curated In Focus programme.
"In my photographic work, shadow is not a secondary effect of light, but a force with its own authority - elusive, formative, and psychically charged. I am drawn to those moments in which the visible world begins to loosen its certainties: when architecture turns theatrical, when foliage becomes hieroglyphic, when darkness appears to emanate from within rather than fall from without. Shadow, for me, is not absence, but an active presence: a bearer of memory, projection, desire, and unease."
"Veined Shadow." 2018
Marcel van Beek (b. 1990, Bonn) is a Leipzig-based German visual artist whose photography operates at the intersection of fine art and scientific observation. Educated at Alanus University of Arts and Social Sciences (BFA with distinction) and informed by an early formation in scenic design, he develops images of formal rigour, tactile precision, and understated cinematic tension.
His practice investigates the ways in which surfaces record time - in stone, bark, concrete, or
water - turning micro-topographies into structures that suggest architecture, notation, and maps. Frequently shaped through dialogue with scientific institutions, his projects examine the human condition in relation to ecological limits, while remaining rooted in material presence and exacting composition. Recent bodies of work use strictly in-camera methods to disclose hidden geometries and perceptual thresholds where depiction gives way to abstraction.
Van Beek has presented solo exhibitions at the German Federal Environment Agency, the
Helmholtz Centre for Environmental Research (UFZ), and Leipzig University. His work has
gained increasing international attention, most recently through multiple Platinum distinctions at the 2026 MUSE Awards and an Artsy Curator’s Pick. His photographs are held in public collections, including Leipzig University, while his artist publications circulate internationally in museum and academic libraries (Basel, Vienna, Berlin, Düsseldorf). He is represented internationally via Cuencas Art Gallery on Artsy and Singulart’s curated In Focus programme.
"In my photographic work, shadow is not a secondary effect of light, but a force with its own authority - elusive, formative, and psychically charged. I am drawn to those moments in which the visible world begins to loosen its certainties: when architecture turns theatrical, when foliage becomes hieroglyphic, when darkness appears to emanate from within rather than fall from without. Shadow, for me, is not absence, but an active presence: a bearer of memory, projection, desire, and unease."
Joan Ramos Martínez
Price: Upon request.
"Lone man, Barcelona." 2023
"At the end of 2022, I picked up a camera my family had lent me, with no clear intention other than to start looking. I didn't know what I was searching for, only that something was there, waiting. What emerged was an unexpected language. That same afternoon, standing on stairs at home and frustrated with every image I had taken, I looked up and saw the light falling almost by accident. I raised the camera without thinking and pressed the shutter. In that click, something was revealed, not just the image, but the person standing behind the lens. It was a simple moment, but full of truth. That sound became my first word. Since then, I've wandered through Barcelona with open eyes, attentive to corners, passing footsteps, and unnoticed gestures. I'm drawn to what slips by: the silence of early mornings, the pauses between movements, the faces lost in thought. In those moments, I search for an echo of myself."
"Lone man, Barcelona." 2023
"At the end of 2022, I picked up a camera my family had lent me, with no clear intention other than to start looking. I didn't know what I was searching for, only that something was there, waiting. What emerged was an unexpected language. That same afternoon, standing on stairs at home and frustrated with every image I had taken, I looked up and saw the light falling almost by accident. I raised the camera without thinking and pressed the shutter. In that click, something was revealed, not just the image, but the person standing behind the lens. It was a simple moment, but full of truth. That sound became my first word. Since then, I've wandered through Barcelona with open eyes, attentive to corners, passing footsteps, and unnoticed gestures. I'm drawn to what slips by: the silence of early mornings, the pauses between movements, the faces lost in thought. In those moments, I search for an echo of myself."
Marcel van Beek
Price: £850
"Villa Diagonalis." 2023
"The works submitted for Shadows inhabit this threshold in different ways. They move between the architectural, the organic, and the sepulchral, yet all are concerned with the same unstable passage between surface and depth, apparition and substance. In these images, shadow veils and reveals in the same gesture; it estranges the familiar, confers gravity upon the ordinary, and opens the image towards something inward, latent, and unresolved. More broadly, my practice often circles around zones of transition - between materiality and aura, stillness and disturbance, the observed world and its psychic afterlife. I am interested in images that do not close themselves in description, but remain porous to suggestion: images in which form becomes charged with atmosphere, and atmosphere with thought. In this sense, shadow is more than a motif within my work. It is a mode of transformation - the place where the real becomes symbolic, where presence acquires mystery, and where the seen world begins to dream of itself."
"Villa Diagonalis." 2023
"The works submitted for Shadows inhabit this threshold in different ways. They move between the architectural, the organic, and the sepulchral, yet all are concerned with the same unstable passage between surface and depth, apparition and substance. In these images, shadow veils and reveals in the same gesture; it estranges the familiar, confers gravity upon the ordinary, and opens the image towards something inward, latent, and unresolved. More broadly, my practice often circles around zones of transition - between materiality and aura, stillness and disturbance, the observed world and its psychic afterlife. I am interested in images that do not close themselves in description, but remain porous to suggestion: images in which form becomes charged with atmosphere, and atmosphere with thought. In this sense, shadow is more than a motif within my work. It is a mode of transformation - the place where the real becomes symbolic, where presence acquires mystery, and where the seen world begins to dream of itself."
Jamie Walker
Price: £125
"Untitled 1." 2022
Jamie Walker (she/her) is a self-taught photographer based in her hometown of Cincinnati, Ohio. Describing her work as "urban naturism", she focuses on the connections between humanity, nature, and the man-made world in relation to how she moves through the world as a Black woman.
She is a recipient of the 2022 Black Women Photographers and Nikon grant. Her work can be found on Instagram @j.leandra.photography and on sale in her Etsy shop, JLeandraPhotography.
"In a time when we cannot always trust what we are seeing, my photography demands honesty and integrity; capturing the details of moments as they are happening and preserving them in the editing process. There is a story unfolding in every frame I shoot and it is my responsibility to deliver that story with care."
"Untitled 1." 2022
Jamie Walker (she/her) is a self-taught photographer based in her hometown of Cincinnati, Ohio. Describing her work as "urban naturism", she focuses on the connections between humanity, nature, and the man-made world in relation to how she moves through the world as a Black woman.
She is a recipient of the 2022 Black Women Photographers and Nikon grant. Her work can be found on Instagram @j.leandra.photography and on sale in her Etsy shop, JLeandraPhotography.
"In a time when we cannot always trust what we are seeing, my photography demands honesty and integrity; capturing the details of moments as they are happening and preserving them in the editing process. There is a story unfolding in every frame I shoot and it is my responsibility to deliver that story with care."
Olga Zaverzhenets
Price: £250
"No Title 1." 2019
Olga Zaverzhenets is a visual artist working with photographic medium. She was born in Belarus in 1982. Olga has been involved in Photography since 2006.
She has a particular preference for medium format photography. Olga works in classic and alternative techniques of hand printing.
Olga has studied at the School of Modern Photography Docdocdoc
Exhibitions and festivals:
2009, Rhythms (personal exhibition), Belarus 2019, Air of Morocco (personal exhibition), Belarus 2022, Photobook Aurora Borealis, OFF Bratislava, Bratislava, Slovakia 2023, Название проекта, With Roots and Without, Pisa, Italy 2023, Aurora Borealis, (personal exhibition), Pisa, Italy 2024, Aurora Borealis, (personal exhibition), Pisa, Italy 2024, The Secret (collaboration with Elena Berezina, exhibition), Pisa, Italy 2024, Dummy Ramonak, Lisbon’s Photobook Fair, Lisbon, Portugal 2024, Aurora Borealis, the Unobserved, online exhibition, Artdoc Magazine 2024, Ramonak, the Unobserved, online exhibition, Artdoc Magazine 2025, Transition, (personal exhibition), Pisa, Italy
Olga’s works are represented at Aorta Social Gallery (Pisa, Italy).
There are Olga’s works in private collections in Canada, Italy, Spain, Belgium, UK, Estonia, Russia, Belarus, Portugal.
"No Title 1." 2019
Olga Zaverzhenets is a visual artist working with photographic medium. She was born in Belarus in 1982. Olga has been involved in Photography since 2006.
She has a particular preference for medium format photography. Olga works in classic and alternative techniques of hand printing.
Olga has studied at the School of Modern Photography Docdocdoc
Exhibitions and festivals:
2009, Rhythms (personal exhibition), Belarus 2019, Air of Morocco (personal exhibition), Belarus 2022, Photobook Aurora Borealis, OFF Bratislava, Bratislava, Slovakia 2023, Название проекта, With Roots and Without, Pisa, Italy 2023, Aurora Borealis, (personal exhibition), Pisa, Italy 2024, Aurora Borealis, (personal exhibition), Pisa, Italy 2024, The Secret (collaboration with Elena Berezina, exhibition), Pisa, Italy 2024, Dummy Ramonak, Lisbon’s Photobook Fair, Lisbon, Portugal 2024, Aurora Borealis, the Unobserved, online exhibition, Artdoc Magazine 2024, Ramonak, the Unobserved, online exhibition, Artdoc Magazine 2025, Transition, (personal exhibition), Pisa, Italy
Olga’s works are represented at Aorta Social Gallery (Pisa, Italy).
There are Olga’s works in private collections in Canada, Italy, Spain, Belgium, UK, Estonia, Russia, Belarus, Portugal.
Olga Zaverzhenets
Price: £250
"No Title 2." 2019
"No Title 2." 2019
Olga Zaverzhenets
Price: £250
"No Title 3." 2019
"No Title 3." 2019
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