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COLOURS II
Edward Olive
Price: £1000
"Young lady and flower 2." 2020
"Symbiotic Identity: The dual-exposure technique physically merges the young lady's face and form with the organic texture of flowers. This asks: Does the individual seek refuge or find resonance in nature? The body becomes a canvas for the ephemeral beauty of the natural world, symbolising how our interior, emotional landscape is enriched and complicated by organic forms."
"Young lady and flower 2." 2020
"Symbiotic Identity: The dual-exposure technique physically merges the young lady's face and form with the organic texture of flowers. This asks: Does the individual seek refuge or find resonance in nature? The body becomes a canvas for the ephemeral beauty of the natural world, symbolising how our interior, emotional landscape is enriched and complicated by organic forms."
Edward Olive
Price: £1000
"Young lady and flowers 1." 2020
Edward Olive is an English photographer and actor based in Madrid, Spain. Known for his distinctive fine art approach, Olive specialises in compelling people photography, blending commercial needs with classical artistic sensibilities. His work is characterised by a dramatic use of chiaroscuro (strong contrast between light and shadow), drawing inspiration from painting and cinema.
He focuses on portraiture with actors, models, and artists, as well as capturing authentic human interaction in various settings. Olive's own background in performance allows him to connect deeply with his subjects, resulting in powerful images that reveal identity, vulnerability, and sustained presence. His photography is a pursuit of timeless forms and psychological depth, capturing the subject as both an individual and a piece of living sculpture.
"Young lady and flowers 1." 2020
Edward Olive is an English photographer and actor based in Madrid, Spain. Known for his distinctive fine art approach, Olive specialises in compelling people photography, blending commercial needs with classical artistic sensibilities. His work is characterised by a dramatic use of chiaroscuro (strong contrast between light and shadow), drawing inspiration from painting and cinema.
He focuses on portraiture with actors, models, and artists, as well as capturing authentic human interaction in various settings. Olive's own background in performance allows him to connect deeply with his subjects, resulting in powerful images that reveal identity, vulnerability, and sustained presence. His photography is a pursuit of timeless forms and psychological depth, capturing the subject as both an individual and a piece of living sculpture.
Tobias Biber
Price: Upon request.
"Woman on Coloured Ground." 2025
"Photography has been by my side since I was very young. Still, after school I decided to study and work in marketing first. But after some years of working, I decided to study arts. So I studied Multimedia Arts at LMU Munich, where I learned about many creative fields. Professionally, I work as a 3D artist, but in my free time I am a street photographer. I practiced street photography while in school, at university, during my time in marketing, and I continue to do so now. Thankfully, studying Multimedia Arts has helped me grow in terms of creative thinking and also sparked my interest in pursuing photography more seriously. Hence, I want to show my work in galleries. I had the privilege of working for artists such as the late Vesna Petresin in the past as a 3D artist, and this motivated me greatly. But my true passion as an artist is photography, as it is the medium through which I can express my artistic vision best."
"My work explores how people move through urban space and how movement gives meaning to structures that would otherwise feel static. Long-exposure photography has been my medium for a while now. Portraying people in the street with the highest level of detail has never been my interest. It is also not the only meaning of street photography; portraying the rhythm we share as a community is equally important. While street photography is often perceived as documentary and rather rough, I would like to show in these images the playfulness that can be found in the reality we move through every day. Colours are an important part of everyday life. They convey emotions and, in my opinion, can influence them, like a good song. While taking these photos, the colourful structures gave me a cheerful, childlike mood. I like to imagine that the people I portrayed, and everyone else present, felt the same."
"Woman on Coloured Ground." 2025
"Photography has been by my side since I was very young. Still, after school I decided to study and work in marketing first. But after some years of working, I decided to study arts. So I studied Multimedia Arts at LMU Munich, where I learned about many creative fields. Professionally, I work as a 3D artist, but in my free time I am a street photographer. I practiced street photography while in school, at university, during my time in marketing, and I continue to do so now. Thankfully, studying Multimedia Arts has helped me grow in terms of creative thinking and also sparked my interest in pursuing photography more seriously. Hence, I want to show my work in galleries. I had the privilege of working for artists such as the late Vesna Petresin in the past as a 3D artist, and this motivated me greatly. But my true passion as an artist is photography, as it is the medium through which I can express my artistic vision best."
"My work explores how people move through urban space and how movement gives meaning to structures that would otherwise feel static. Long-exposure photography has been my medium for a while now. Portraying people in the street with the highest level of detail has never been my interest. It is also not the only meaning of street photography; portraying the rhythm we share as a community is equally important. While street photography is often perceived as documentary and rather rough, I would like to show in these images the playfulness that can be found in the reality we move through every day. Colours are an important part of everyday life. They convey emotions and, in my opinion, can influence them, like a good song. While taking these photos, the colourful structures gave me a cheerful, childlike mood. I like to imagine that the people I portrayed, and everyone else present, felt the same."
Sabine Winnemuth
Price: £2500
"Berlin." 2025
"Energy is released, and restructuring, metamorphosis and transformation become possible. The way is paved for a better perception of the essence of the situation, the emotion that is generated by what is seen. The submitted photographs were taken with a Leica Q2 (28mm fixed focal length) and processed only with a RAW converter (Adobe Lightroom). The pictures are printed as unique pieces on satin and stretched on an aluminium profile frame. This gives the pictures a rather painterly appearance."
"Berlin." 2025
"Energy is released, and restructuring, metamorphosis and transformation become possible. The way is paved for a better perception of the essence of the situation, the emotion that is generated by what is seen. The submitted photographs were taken with a Leica Q2 (28mm fixed focal length) and processed only with a RAW converter (Adobe Lightroom). The pictures are printed as unique pieces on satin and stretched on an aluminium profile frame. This gives the pictures a rather painterly appearance."
Sabine Winnemuth
Price: £2500
"New York." 2025
"In my latest photographic works, I devote myself to reproducing the dimension of time in the two-dimensional representation of a photograph by showing the changes in the temporal sequence of a particular scene. My aim in this type of photography is not to create as perfect an image as possible of what I see, but to creatively change what I see with the help of the camera. In this way, seemingly fixed structures are broken up and dissolved, fixed edges are shifted and colours are mixed. The subject is dissolved in light and colour, the condensation of matter is dissolved."
"New York." 2025
"In my latest photographic works, I devote myself to reproducing the dimension of time in the two-dimensional representation of a photograph by showing the changes in the temporal sequence of a particular scene. My aim in this type of photography is not to create as perfect an image as possible of what I see, but to creatively change what I see with the help of the camera. In this way, seemingly fixed structures are broken up and dissolved, fixed edges are shifted and colours are mixed. The subject is dissolved in light and colour, the condensation of matter is dissolved."
Sabine Winnemuth
Price: £2500
"Leipzig." 2025
Born in 1963 in Bad Gandersheim / Germany. Studied fine art at the University of Applied Sciences and Arts in Hanover, the University of the Arts in Braunschweig and the Facultad de Bellas Artes in Barcelona. During her studies, she focused primarily on sculpture and painting. After graduating, she switched to sound art and installation. Graduated as a master student in 2000 with Ulrich Eller in the field of sound installation with the theme "NachForschung". In 2010, entry into digital photography, mainly macro shots of plants. Since then, I have commissioned work in exhibitions and freelance artistic photography.
"Leipzig." 2025
Born in 1963 in Bad Gandersheim / Germany. Studied fine art at the University of Applied Sciences and Arts in Hanover, the University of the Arts in Braunschweig and the Facultad de Bellas Artes in Barcelona. During her studies, she focused primarily on sculpture and painting. After graduating, she switched to sound art and installation. Graduated as a master student in 2000 with Ulrich Eller in the field of sound installation with the theme "NachForschung". In 2010, entry into digital photography, mainly macro shots of plants. Since then, I have commissioned work in exhibitions and freelance artistic photography.
Christina Howells
Price: £200
"It All Came Out In The Wash." 2021
"It All Came Out In The Wash." 2021
Christina Howells
Price: £200
"We Need To Talk." 2018
Christina Howells is an American photographer in Athens, Georgia. Her subjects are mainly objects or interiors with a strong use of colour with a surrealist style.
"We Need To Talk." 2018
Christina Howells is an American photographer in Athens, Georgia. Her subjects are mainly objects or interiors with a strong use of colour with a surrealist style.
The Monochromatic Society
Price: Upon request.
"Rays of Sunday’s hope." 2025
"My journey with photography began when I was seven, when I first experienced the magic of the darkroom and the quiet wonder of black-and-white film. From the beginning, I felt that photography was more than capturing images, it was a way to preserve what is fleeting and forgotten. Over time, my aesthetic has taken shape around contrast: light and shadow, presence and absence, fiction and reality. Self-taught photographer from Hamburg, Germany."
"As I wander around, carrying stacks of shots, some lingering symbols meet me again and again. Motion blur and fog, the loyal shutter and abandoned compositions are present before me. The shadows arrange themselves, even in the light of a broken cycle sun. I aimed to evoke memory rather than documentation by allowing forms to drift in and out of focus, creating an intimate, fleeting impression rather than a fixed reality. The frames reveal a kaleidoscopic logic rather than a linear story; feelings break apart, reshape, and reassemble into a meaning that is continually renegotiated."
"Rays of Sunday’s hope." 2025
"My journey with photography began when I was seven, when I first experienced the magic of the darkroom and the quiet wonder of black-and-white film. From the beginning, I felt that photography was more than capturing images, it was a way to preserve what is fleeting and forgotten. Over time, my aesthetic has taken shape around contrast: light and shadow, presence and absence, fiction and reality. Self-taught photographer from Hamburg, Germany."
"As I wander around, carrying stacks of shots, some lingering symbols meet me again and again. Motion blur and fog, the loyal shutter and abandoned compositions are present before me. The shadows arrange themselves, even in the light of a broken cycle sun. I aimed to evoke memory rather than documentation by allowing forms to drift in and out of focus, creating an intimate, fleeting impression rather than a fixed reality. The frames reveal a kaleidoscopic logic rather than a linear story; feelings break apart, reshape, and reassemble into a meaning that is continually renegotiated."
Sophie Hériat
Price: £195
"Rhizomes écarlates #3." 2023
Each creation carries within it the trace of a memory, an emotion, a lived moment - as if my images preserved a tangible imprint of time and feeling. They are no longer simply stories to be read, but territories to be inhabited. A personal world of colors, shadows, and flashes of light. In this journey, colour occupies a central place in my practice. It is an inexhaustible field of research, whose power often remains mysterious. Some hues repel one another, others attract, some erupt like a cry, others settle like a whisper. It is within these tensions, these resonances or dissonances, that my images find their rhythm and their poetry unfolds. Through experimentation, photography becomes a dialogue, a sensory vector, in which each viewer may surrender, lose themselves for a moment, and - perhaps recognise a reflection of themselves: ever-vibrant, ever in search.
"Rhizomes écarlates #3." 2023
Each creation carries within it the trace of a memory, an emotion, a lived moment - as if my images preserved a tangible imprint of time and feeling. They are no longer simply stories to be read, but territories to be inhabited. A personal world of colors, shadows, and flashes of light. In this journey, colour occupies a central place in my practice. It is an inexhaustible field of research, whose power often remains mysterious. Some hues repel one another, others attract, some erupt like a cry, others settle like a whisper. It is within these tensions, these resonances or dissonances, that my images find their rhythm and their poetry unfolds. Through experimentation, photography becomes a dialogue, a sensory vector, in which each viewer may surrender, lose themselves for a moment, and - perhaps recognise a reflection of themselves: ever-vibrant, ever in search.
Sophie Hériat
Price: £195
"Rhizomes écarlates #1." 2024
Metempsychosis, n. : transmigration of the human soul into a plant it comes to inhabit.
Emotions become sap, memory disperses into light. Materials merge, textures meet,
colours ignite, giving rise to a new dreamlike reality, vibrant and immersive.
Purely descriptive, figurative images, when they attempt to express our inner emotions, can sometimes come up against a wall. I use multiple exposure and movement as tools to create beyond these boundaries, composing a world of its own. A world that, to me, retains something of what I experience during the creative process. I capture fleeting moments before reworking them in order to explore a sensory pictoriality. By blurring the boundaries between photography and painting, between figuration and abstraction, I offer a different field of perception. Within this experimental approach, nature is not merely a subject: it becomes a space for projection and metamorphosis. Flowers, omnipresent in my work, form fragments of a visual poetry in the making.
"Rhizomes écarlates #1." 2024
Metempsychosis, n. : transmigration of the human soul into a plant it comes to inhabit.
Emotions become sap, memory disperses into light. Materials merge, textures meet,
colours ignite, giving rise to a new dreamlike reality, vibrant and immersive.
Purely descriptive, figurative images, when they attempt to express our inner emotions, can sometimes come up against a wall. I use multiple exposure and movement as tools to create beyond these boundaries, composing a world of its own. A world that, to me, retains something of what I experience during the creative process. I capture fleeting moments before reworking them in order to explore a sensory pictoriality. By blurring the boundaries between photography and painting, between figuration and abstraction, I offer a different field of perception. Within this experimental approach, nature is not merely a subject: it becomes a space for projection and metamorphosis. Flowers, omnipresent in my work, form fragments of a visual poetry in the making.
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