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EUROPE
Juleah Claar
Price: Upon request.
"Neon Windmill." 2024
"Neon Windmill." 2024
Juleah Claar
Price: Upon request.
"Venetian Sway." 2024
"Venetian Sway." 2024
Juleah Claar
Price: Upon request.
"Between Sun and Linen." 2024
Juleah Claar (Leah) is an American photographer based in Switzerland, working in both film and digital. With a background in anthropology and a decade in the corporate world, she returned to photography in 2016, bringing a strong observational perspective to her work.
Her photography explores everyday life across street scenes, nature, and cultural traditions, capturing authentic human moments through visual storytelling. She occasionally incorporates fusion techniques – layering multiple exposures in post-processing; to create nuanced, evocative images that reframe familiar subjects.
Her work has been awarded, published, and exhibited internationally, her work has appeared on a Times Square billboard, in galleries, magazines, and books, and across 200 gallery, tourism, and social media platforms.
"Photography, for me, is about seeing the extraordinary in the everyday. Whether in the streets, in nature, or within cultural moments, I seek to capture authentic human experiences and fleeting details that might otherwise go unnoticed."
"Between Sun and Linen." 2024
Juleah Claar (Leah) is an American photographer based in Switzerland, working in both film and digital. With a background in anthropology and a decade in the corporate world, she returned to photography in 2016, bringing a strong observational perspective to her work.
Her photography explores everyday life across street scenes, nature, and cultural traditions, capturing authentic human moments through visual storytelling. She occasionally incorporates fusion techniques – layering multiple exposures in post-processing; to create nuanced, evocative images that reframe familiar subjects.
Her work has been awarded, published, and exhibited internationally, her work has appeared on a Times Square billboard, in galleries, magazines, and books, and across 200 gallery, tourism, and social media platforms.
"Photography, for me, is about seeing the extraordinary in the everyday. Whether in the streets, in nature, or within cultural moments, I seek to capture authentic human experiences and fleeting details that might otherwise go unnoticed."
Ted Emes
Price: £75
"Where The Light Breaks." 2025
Ted is an adventure and fine art photographer based in North Vancouver, British Columbia, working under the name TSCF Adventures Photography. His work explores the intersection of movement, landscape, solitude, and light - often shaped by travel, ocean environments, and fleeting human moments observed from a distance.
Drawn to coastlines, weather systems, and transitional spaces, Ted photographs with an emphasis on atmosphere rather than spectacle. His images frequently place people within larger environments, using scale, light, and negative space to evoke stillness, motion, and emotional tension.
Influenced by travel through Ireland, France, Mexico, Morocco, and Peru, his photography blends documentary observation with fine art sensibilities. Whether capturing kitesurfers riding a Pacific swell, quiet moments along the Seine, or wind moving across isolated landscapes, his work is rooted in the belief that photography is less about recording a place and more about feeling with your eyes.
His ongoing practice focuses on building collections intended for gallery exhibition and fine art print presentation.
"I photograph movement, solitude, and the emotional quality of light. My work is often created in places shaped by wind and water - coastlines, open landscapes, transitional cities, and spaces where people briefly intersect with their environment before disappearing again. I am interested in the quiet tension between presence and anonymity: a lone figure beneath heavy weather, a cyclist vanishing into repetition, a moment beside the sea that feels cinematic without explanation. Photography, for me, is less about documentation and more about emotional translation. I am not trying to recreate exactly what a place looked like. I am trying to recreate the sensation of being there - the cold air, the distance, the silence, the movement, the feeling of standing still while the world shifts around you. My editing process reflects this approach. Light is sculpted carefully through tonal shaping, dodging and burning, and layered contrast work to create images that feel atmospheric, immersive, and painterly while remaining grounded in reality. At its core, my work is about chasing moments that feel temporary but emotionally permanent. Adventure, Captured In Light."
"Where The Light Breaks." 2025
Ted is an adventure and fine art photographer based in North Vancouver, British Columbia, working under the name TSCF Adventures Photography. His work explores the intersection of movement, landscape, solitude, and light - often shaped by travel, ocean environments, and fleeting human moments observed from a distance.
Drawn to coastlines, weather systems, and transitional spaces, Ted photographs with an emphasis on atmosphere rather than spectacle. His images frequently place people within larger environments, using scale, light, and negative space to evoke stillness, motion, and emotional tension.
Influenced by travel through Ireland, France, Mexico, Morocco, and Peru, his photography blends documentary observation with fine art sensibilities. Whether capturing kitesurfers riding a Pacific swell, quiet moments along the Seine, or wind moving across isolated landscapes, his work is rooted in the belief that photography is less about recording a place and more about feeling with your eyes.
His ongoing practice focuses on building collections intended for gallery exhibition and fine art print presentation.
"I photograph movement, solitude, and the emotional quality of light. My work is often created in places shaped by wind and water - coastlines, open landscapes, transitional cities, and spaces where people briefly intersect with their environment before disappearing again. I am interested in the quiet tension between presence and anonymity: a lone figure beneath heavy weather, a cyclist vanishing into repetition, a moment beside the sea that feels cinematic without explanation. Photography, for me, is less about documentation and more about emotional translation. I am not trying to recreate exactly what a place looked like. I am trying to recreate the sensation of being there - the cold air, the distance, the silence, the movement, the feeling of standing still while the world shifts around you. My editing process reflects this approach. Light is sculpted carefully through tonal shaping, dodging and burning, and layered contrast work to create images that feel atmospheric, immersive, and painterly while remaining grounded in reality. At its core, my work is about chasing moments that feel temporary but emotionally permanent. Adventure, Captured In Light."
Neil Ferdowsian
Price: Upon request.
"Vendor." 2025
"Vendor." 2025
Neil Ferdowsian
Price: Upon request.
"Partners." 2026
"I have spent most of my life with a camera in my hands, my main subjects for most of that time have been landscape and architecture. More recently I have been trying to push myself and I have been spending a lot of my time doing documentary photography with a focus on street and event photography. It has been a difficult but fun learning experience for me. I currently only shoot on either 35mm or medium format cameras. I find great joy in slowing down and limiting myself to only a few shots. It has made me think more about the shots I am about to take and still to this day I get a great amount of excitement when I receive my developed film back from the lab."
"Partners." 2026
"I have spent most of my life with a camera in my hands, my main subjects for most of that time have been landscape and architecture. More recently I have been trying to push myself and I have been spending a lot of my time doing documentary photography with a focus on street and event photography. It has been a difficult but fun learning experience for me. I currently only shoot on either 35mm or medium format cameras. I find great joy in slowing down and limiting myself to only a few shots. It has made me think more about the shots I am about to take and still to this day I get a great amount of excitement when I receive my developed film back from the lab."
Tommaso Freguglia
Price: £100
"Unravelling." 2026
Tommaso is an Italian street photographer focused on capturing everyday life. His works explore the relationships between people, lights and shadows. His photography is driven by intuition and a constant search for meaning within the ordinary.
"My work is rooted in observing life as it unfolds. Through street photography, I try to capture fragments of humanity, gestures, expressions, and fleeting interactions that reveal something deeper beneath the surface."
"Unravelling." 2026
Tommaso is an Italian street photographer focused on capturing everyday life. His works explore the relationships between people, lights and shadows. His photography is driven by intuition and a constant search for meaning within the ordinary.
"My work is rooted in observing life as it unfolds. Through street photography, I try to capture fragments of humanity, gestures, expressions, and fleeting interactions that reveal something deeper beneath the surface."
Émilie Teresina Caracciolo
Price: Upon request.
"Brave." 2024
"I might have bothered some nesting or display. Or just pigeon a little bit narcissistic. Whatever, it definitively appears as the power in these waters."
"Brave." 2024
"I might have bothered some nesting or display. Or just pigeon a little bit narcissistic. Whatever, it definitively appears as the power in these waters."
Émilie Teresina Caracciolo
Price: Upon request.
"Classy." 2024
Born in France to a South-Italian working-class family, Émilie Teresina Caracciolo discovered early on that photography was her means of making sense of the world. For Émilie, capturing moments through her lens became an essential way to understand and document the complexities and beauty of life around her.
Before dedicating herself fully to photography, Émilie spent 15 years as a social worker. Her career included supporting asylum seekers, working as a street-worker, and serving the Juvenile Judge. These roles profoundly influenced her perspective, making photography is not just a creative outlet but a way to stay connected to herself, to others, and to the broader world.
"Classy." 2024
Born in France to a South-Italian working-class family, Émilie Teresina Caracciolo discovered early on that photography was her means of making sense of the world. For Émilie, capturing moments through her lens became an essential way to understand and document the complexities and beauty of life around her.
Before dedicating herself fully to photography, Émilie spent 15 years as a social worker. Her career included supporting asylum seekers, working as a street-worker, and serving the Juvenile Judge. These roles profoundly influenced her perspective, making photography is not just a creative outlet but a way to stay connected to herself, to others, and to the broader world.
Helga Bahmer
Price: Upon request.
"Pinescent, Latvia." 2025
"Pinescent, Latvia." 2025
Helga Bahmer
Price: Upon request.
"War's breath, Germany." 2026
"War's breath, Germany." 2026
Helga Bahmer
Price: Upon request.
"Split facade of power, Germany." 2026
Concrete, Power, and the Echo of History.
These images depict places that stand as silent witnesses to European ideologies and their violent upheavals: Prora on Rügen, the monumental holiday complex built by the Nazi organization, never intended as a place of leisure but as a symbol of domination and war preparation.Today, part of the complex is decaying, while another part is being converted into exclusive real estate and sold at high prices. A bitter irony of history that shows how power and commerce overlay the traces of the past.
But the question remains: Who benefits from this reinterpretation? Who decides what is worth remembering and what should be forgotten?
Next to it stands a bunker ventilation shaft, also on Rügen, a relic of military architecture that evokes the war machine and the fear of annihilation. Both motifs are linked by Nazi ideology: the dream of domination, the war that tore Europe apart, and the Baltic Sea as a strategic waterway, a place of connection and division, which today once again becomes a stage for military buildup.
A third image takes us to Latvia, to an abandoned Cold War espionage facility. Here, the continuity of violence becomes visible. After World War II, a systemic conflict divided Europe once more.
They show how architecture and landscape become carriers of power - and how they remind us today, in a time of new wars, that the abstraction of violence always becomes concrete: in concrete, in ruins, in the scars of the earth.
"Split facade of power, Germany." 2026
Concrete, Power, and the Echo of History.
These images depict places that stand as silent witnesses to European ideologies and their violent upheavals: Prora on Rügen, the monumental holiday complex built by the Nazi organization, never intended as a place of leisure but as a symbol of domination and war preparation.Today, part of the complex is decaying, while another part is being converted into exclusive real estate and sold at high prices. A bitter irony of history that shows how power and commerce overlay the traces of the past.
But the question remains: Who benefits from this reinterpretation? Who decides what is worth remembering and what should be forgotten?
Next to it stands a bunker ventilation shaft, also on Rügen, a relic of military architecture that evokes the war machine and the fear of annihilation. Both motifs are linked by Nazi ideology: the dream of domination, the war that tore Europe apart, and the Baltic Sea as a strategic waterway, a place of connection and division, which today once again becomes a stage for military buildup.
A third image takes us to Latvia, to an abandoned Cold War espionage facility. Here, the continuity of violence becomes visible. After World War II, a systemic conflict divided Europe once more.
They show how architecture and landscape become carriers of power - and how they remind us today, in a time of new wars, that the abstraction of violence always becomes concrete: in concrete, in ruins, in the scars of the earth.
Annie Xenodochidi
Price: Upon request.
"Unbecoming 05 (Fault)." 2025
Annie Xenodochidi (b. 1999, Athens) is a Greek visual artist and architect based in Athens. She studied Architecture at the National Technical University of Athens and is completing an MA in Architecture: Design–Space–Culture. Her practice spans photography, photomontage, and experimental film. She has participated at the 17th Venice Architecture Biennale with the project Sol y Sombra, presented at the Korean Pavilion and the Women's Photo Festival Athens (2026).
"My practice moves between architecture and image-making, with a sustained focus on industrial sites, built environments, and the traces that history leaves inside them. Working from architectural training at the National Technical University of Athens, I approach the photograph as constructed space - a site where presence accumulates as sediment rather than subject. Unbecoming emerges from years of walking European cities. Each composite layers photographs made in different places and different times into a single frame, refuting the idea that a site belongs to one moment or one meaning. The industrial structures, overgrown thresholds, and weathered surfaces that recur across the series are not ruins to be mourned but archives still in use - holding within their fabric the overlapping histories of the people and communities that passed through them."
"In this sense the work engages directly with what the European collection seeks to trace: the continuities and disruptions that bind place to memory, the networks of exchange that make belonging not a fixed condition but an ongoing negotiation. The body in these images does not stand before history - it dissolves into it, becomes part of the same sediment. That, I think, is what it means to inhabit a shared European space: not to possess it, but to be changed by it."
"Unbecoming 05 (Fault)." 2025
Annie Xenodochidi (b. 1999, Athens) is a Greek visual artist and architect based in Athens. She studied Architecture at the National Technical University of Athens and is completing an MA in Architecture: Design–Space–Culture. Her practice spans photography, photomontage, and experimental film. She has participated at the 17th Venice Architecture Biennale with the project Sol y Sombra, presented at the Korean Pavilion and the Women's Photo Festival Athens (2026).
"My practice moves between architecture and image-making, with a sustained focus on industrial sites, built environments, and the traces that history leaves inside them. Working from architectural training at the National Technical University of Athens, I approach the photograph as constructed space - a site where presence accumulates as sediment rather than subject. Unbecoming emerges from years of walking European cities. Each composite layers photographs made in different places and different times into a single frame, refuting the idea that a site belongs to one moment or one meaning. The industrial structures, overgrown thresholds, and weathered surfaces that recur across the series are not ruins to be mourned but archives still in use - holding within their fabric the overlapping histories of the people and communities that passed through them."
"In this sense the work engages directly with what the European collection seeks to trace: the continuities and disruptions that bind place to memory, the networks of exchange that make belonging not a fixed condition but an ongoing negotiation. The body in these images does not stand before history - it dissolves into it, becomes part of the same sediment. That, I think, is what it means to inhabit a shared European space: not to possess it, but to be changed by it."
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